Fortin, Sylvie
March 2006
Art Papers Magazine;Mar/Apr2006, Vol. 30 Issue 2, p40
The article focuses on the production of a "cinema effect" in contemporary art. One symptom of the said effect was the ascendancy of the remake as genre and strategy. The author asserted that the works of Stan Douglas, Pierre Huyghe, and Douglas Gordon provide the most sophisticated examples of the practice. Moreover, cinema effect and the remake have been explored from two different disciplinary contexts, film history/criticism and art history/criticism.


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