TITLE

Refresher: Mid-Side Recording

AUTHOR(S)
Jones, Sarah
PUB. DATE
February 2007
SOURCE
Mix;Feb2007, Vol. 31 Issue 2, p32
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
The article explains the stereophonic microphone recording technique of Mid-Side recording.
ACCESSION #
24501302

 

Related Articles

  • E-MU EMULATOR X2. Anderton, Craig // EQ;Dec2006, Vol. 17 Issue 12, p56 

    The article offers step-by-step instructions for converting a musical instrument digital interface (MIDI) synth patch into an Emulator X2 preset.

  • Practical Workflow Tip # 4: Preventive Patch Bay-ing Part 2. Vederico, Kent // EQ;Nov2006, Vol. 17 Issue 11, p8 

    The article offers a tip in installing a patch bay in recording and mixing music.

  • tips & tricks. McKnight, David // EventDV;Feb2009, Vol. 22 Issue 2, p28 

    The article offers step-by-step instructions for obtaining quality digital audio using the Sony Vegas digital audio workstation.

  • The Blueprint. Volans, Mo // Remix;Oct2008, Vol. 10 Issue 10, p38 

    The article offers step-by-step instructions for creating a perfect track.

  • DIY Mastering Clinic. Bartlett, Bruce; Bartlett, Jenny // Electronic Musician;Jan2007 Product Guide, Vol. 23, p12 

    The article offers step-by-step instructions for audio mastering.

  • cut lines. Balser, Ben // EventDV;Nov2006, Vol. 19 Issue 11, p20 

    The article offers step-by-step instructions for using Soundtrack Pro (STP) to edit an Audio File Project.

  • Power App Alley: SONY ACID PRO 6. Anderton, Craig // EQ;May2007, Vol. 18 Issue 5, p64 

    The article offers step-by-step instructions for using a control surface to provide several parameters including, mixing, panning and transport control in Sony Acid Pro 6.

  • CAKEWALK SONAR: Provide more flexible editing for MIDI drum parts. Anderton, Craig // EQ;Nov2010, Vol. 21 Issue 11, p44 

    The article offers step-by-step instructions for splitting the notes of the drum part recorded in a single MIDI track using the Sonar digital audio workstation (DAW) software.

  • PROPELLERHEAD REASON 5: Sample your own drum (and other) sounds. Anderton, Craig // EQ;Nov2010, Vol. 21 Issue 11, p46 

    The article offers step-by-step instructions for creating drum sounds for the Kong Drum Designer module in Reason 5 drum machine.

  • BIAS REPLI-Q PLUG-IN. Anderton, Craig // EQ;Apr2009, Vol. 20 Issue 4, p46 

    The article offers step-by-step instructions in changing the spectral response of a target file to match with the reference file using the Repli-Q as plug in.

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics