TITLE

George Orwell's animal farm

PUB. DATE
September 1999
SOURCE
Scholastic Scope;9/6/99, Vol. 48 Issue 1, p6
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
Presents the script of the motion picture `Animal Farm,' which highlights the plot and storyline of the movie adapted from the classic George Orwell novel.
ACCESSION #
2397682

 

Related Articles

  • Tales from the script. Ives, David // Harper's Bazaar;Aug95, Issue 3405, p74 

    Focuses on the pleasures of reading published screenplays. Development of a deeper understanding of the play; Suggested readings.

  • Language narrative voice: The poetics of the highly inflected screenplay. Rush, Jeff; Baughman, Cynthia // Journal of Film & Video;Fall97, Vol. 49 Issue 3, p28 

    Investigates the meaning and focus in screenplay with an exploration of the way inferential or evocative language functions. Details on how language function in a screenplay; Information surround the blueprint question; Comments from philosopher, Nelson Goodman.

  • Lights...camera...laptop? Mallon, Thomas // GQ: Gentlemen's Quarterly;Oct95, Vol. 65 Issue 10, p103 

    Looks into the trend in writing scripts for motion pictures in the United States. Book adaptations including `The Bridges of Madison'; Motion picture novelization by the likes of David Rabe; Popularity of sequels.

  • Screenplays and film-makers' diaries. Christie, Ian; Felperin, Leslie // Sight & Sound;Nov96, Vol. 6 Issue 11, p36 

    Reviews the screenplay `The Making of Jane Austen's Emma,' by Sue Birtwistle and Susie Conklin.

  • Anna and the King.  // Literary Cavalcade;Jan2000, Vol. 52 Issue 4, p24 

    Presents excerpts of the screenplay of the movie `Anna and the King.' INSET: A historical look at Anna..

  • Heard the tapes? Skip the script. Miller, Mark // Newsweek;9/11/1995, Vol. 126 Issue 11, p75 

    Asserts that `Men Against Women,' the screenplay by Laura Hart McKinny, in which she used the interviews with Mark Fuhrman as basis for her story, is an insipid, romantic dream. Brief plot description; Biases in the screenplay; Hollywood passing on the script.

  • Raymond Chandler without his knight: Contracting worlds... Brewer, Gay // Literature Film Quarterly;1995, Vol. 23 Issue 4, p273 

    Focuses on `The Blue Dahlia,' and `Playback,' the last two original screenplays written by Raymond Chandler during his involvement with Hollywood. Comparison of plots; Scenes from both films.

  • Screenplays and film-makers diaries. Christie, Ian; Felperin, Leslie // Sight & Sound;Feb97, Vol. 7 Issue 2, p37 

    Reviews the published screenplays `Blood Simple' and `Raising Arizona,' by Joel and Ethan Coen.

  • Screenplays and film-makers diaries. Christie, Ian; Felperin, Leslie // Sight & Sound;Feb97, Vol. 7 Issue 2, p37 

    Reviews the published screenplay `Crash,' by David Cronenberg.

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sign out of this library

Other Topics