Weiss, David
December 2006
Mix;Dec2006, Vol. 30 Issue 12, p121
The article reports an upcoming puppetry "The Kids Block," by the hip hop team including Samuel "Tone" Barnes and Jean Claude "Poke" Olivier under Trackmasters records. The article mentions that music will be the driving force behind the show which will be focusing more on the educational aspects of hip hop music.


Related Articles

  • USING HIP HOP WITH YOUR STUDENTS. Sitomer, Alan // School Library Journal;Jun2007, Vol. 53 Issue 6, p50 

    The article discusses techniques for using hip-hop in the classroom. Encouraging students to discuss what artists and styles they enjoy and what the lyrics mean to them is recommended. Planning out the academic side of the exercise ahead of time is also important, so the discussion of hip-hop...

  • Sing-2-School wants to bring hip-hop to the grade-school set. Can it raise $250,000? Fahmy, Dalia // Inc.;Aug2007, Vol. 29 Issue 8, p36 

    The article presents the views of investors on whether the company Sing-2-School can raise $250,000 for branding and marketing, animation, DVD and CD production, targeting children and parents who like hip-hop. Schuyler Lance of Circle Brookline says that the company lacks experience in...

  • Hip-hop nation 2000. Powell, Kevin // Essence (Essence);Aug97, Vol. 28 Issue 4, p76 

    Introduces the hip-hop generation. Other labels of this generation; How the men and women of this generation are products of another revolution; What was clearly missing in the lives of these people; Information on the hip-hop culture.

  • Puppet Master. Canemaker, John // Print;Sep/Oct87, Vol. 41 Issue 5, p94 

    A biography of Lou Bunin, a puppet-film animator in the U.S., is presented. He was born in 1904 near Kiev, Russia, and studied painting, sculpture and lithographs at the Chicago Art Institute. Bunin found a job performing puppet shows in the Catskills when he moved to New York, N.Y. in 1930....

  • Cash rules. Coker, Cheo Hodari // Essence (Essence);Aug97, Vol. 28 Issue 4, p78 

    Discusses why money is considered as the most important thing in the hip-hop generation. Why people can not blame this generation for wanting to get paid; How the men and women in this generation can survive in the next century; Learning to appreciate the worth of money.

  • Zulu war cry.  // New York Amsterdam News;11/26/2009, Vol. 100 Issue 48, p25 

    The article mentions the 36th anniversary of the international hip hop awareness group Universal Zulu Nation (UZN).

  • Hip Hop. Monaghan, Terry // Dancing Times;Jan2007, Vol. 97 Issue 1157, p101 

    The article explores the origins of hip hop, tracing the dance style's roots in Bronx, New York City. It was in the late 1970s when hip hop came into existence. Back when a surge of new dances that combined both style and energy emerged. Originally, it was called b-boying in the South Bronx...

  • IS HIP-HOP CULTURE HARMING OUR YOUTH?  // Jet;12/04/2000, Vol. 98 Issue 26, p30 

    Presents arguments related to hip-hop culture, and whether it is harmful to youth.

  • The Origins of Hip-Hop.  // Skipping Stones;Nov/Dec2002, Vol. 14 Issue 5, p26 

    Traces the origin of the hip-hop dance. Expression of African culture and history; Description of the street hip-hop; Symbolism of movements.


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics