Groucho in Dublin

Balliett, Whitney
December 1960
New Yorker;12/17/1960, Vol. 36 Issue 44, p96
The article discusses the preference of Stuart Vaughan, the 19th-century-type director of the Phoenix repertory company, for incorporating an English flavor into his comedic plays. Consequently, there is a tendency for comic situations in his plays to be filled with verbal gags and slapstick and actors move like comedian Groucho Marx.


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