TITLE

`Delectabatur in hoc auris': Some fourteenth-century perspectives on aural perception

PUB. DATE
September 1998
SOURCE
Musical Quarterly;Fall/Winter98, Vol. 82 Issue 3/4, p466
SOURCE TYPE
Academic Journal
DOC. TYPE
Article
ABSTRACT
Discusses theories on musical hearing and listening by musicians in the fourteenth century in France. Analysis of fourteenth-century French polyphony; Theories of musician Engelbert of Admont on the faculty of hearing; Musician Jacques of Liege's comments on listening; Perspectives of musician Johannes Boen on hearing.
ACCESSION #
2276267

 

Related Articles

  • Sense and sensibility in late-medieval music. Wegman, Rob C. // Early Music;May95, Vol. 23 Issue 2, p299 

    Criticizes Johannes Tinctoris's ideas on the seemingly opposite poles of aesthetics and authenticity of late-medieval music. Tinctoris's particular aesthetic assumptions; Definition of `sweetness' in music; Ambiguity about aesthetic qualities of individual works; Being specific about the musical...

  • Two 13th-century hockets on Manere recovered. Wolinski, Mary; Haggh, Barbara // Early Music;Feb2010, Vol. 38 Issue 1, p43 

    In his musical treatise of 1279, Anonymous of St Emmeram describes the polyphonic technique of hocketing, created by the rapid alternation of tones and rests. Among his examples of hockets are passages from two hitherto unknown compositions on the tenor Manere, one in the first rhythmic mode and...

  • MUSINGS: TWO SIDES OF MUSIC NOTATION. VOGELS, DAVID // American Organist Magazine;Apr2016, Vol. 50 Issue 4, p28 

    The article discusses the different sides of a music notation. Topics discussed include an outline of music history, an overview of the medieval music mutation, the development of methods for pitch and rhythm notation, the interpretation of music, the intact origins of popular music...

  • Three sisters. Timbrell, Charles // American Music Teacher;Apr/May98, Vol. 47 Issue 5, p20 

    Presents a brief biography of the Chaigneau sisters, three famous musicians in France. Personal background; Education; career history; Performances; Favorite pieces; Favorite instruments.

  • Music with a French twist. Legrand, Emmanuel // Billboard;1/20/96, Vol. 108 Issue 3, p49 

    Reports on a new generation of French artists, which are blending rap, hardcore rock, techno and chanson with their own French music. Comments from Delabel director, Laurence Touitou.

  • Appreciation of fine French artists.  // Billboard;1/20/96, Vol. 108 Issue 3, p49 

    Reports on various French musicians, like singer Christophe Miossec, Silmarils and Mano Solo.

  • Bach and the French ouverture. Malloch, W. // Musical Quarterly;Summer91, Vol. 75 Issue 2, p175 

    Concurs with evidence presented by John O'Donnell in `The French style and the overtures of Bach,' (`Early Music, Apr. 1979), that introductory music of overtures by Lully, Bach, Telemann and others was originally performed at what today would be considered a very fast tempo. Rhythm in Bach...

  • Film as musciology: Amadeus. Marshall, Robert L. // Musical Quarterly;Summer97, Vol. 81 Issue 2, p173 

    Opinion. Looks at film as musicology, with reference to `Amadeus,' a play and fim script. Details of the 1996 annual meeting of the American Musicology Society; Indepth look at Hollywood which has discovered the romance of music history; Reference to the history of Julius Caesar.

  • Critical musicology and the problem of mediation. Miles, Stephen // Notes;Mar1997, Vol. 53 Issue 3, p722 

    Examines critical musicology through the analysis of Theodor W. Adorno's influence on critical musicology. What Adorno's rejection of positivism was based on; Analysis of the issues facing critical musicology through the works of Pierre Bourdieu; Relationship between music and the field of...

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics