TITLE

`Das musikalische Horen' in the middle ages and renaissance: Perspectives from pre-war Germany

PUB. DATE
September 1998
SOURCE
Musical Quarterly;Fall/Winter98, Vol. 82 Issue 3/4, p434
SOURCE TYPE
Academic Journal
DOC. TYPE
Article
ABSTRACT
Offers perspectives on the origin of music listening in Germany. Musical scholarship on music listening in the eighteenth and nineteenth century; Literary works on music listening; Description of musicology in the 1990s; Role of scholarship research on music listening in the 20th century.
ACCESSION #
2276265

 

Related Articles

  • Pre-1600 music listening: A methodological approach.  // Musical Quarterly;Fall/Winter98, Vol. 82 Issue 3/4, p455 

    Describes a methodological approach in the study of pre-1600 music listening practices. Recognition of polar dichotomies as a methodological device; Continuum as guard historians of listening practices; Distinctions between musical coherence and comprehensibility; Difficulties in the analysis...

  • Foreword.  // Musicology of Lithuania / Lietuvos muzikologija;2012, Issue 13, p5 

    A foreword to the thirteenth volume of the journal "Lithuanian Musicology" is presented.

  • MILLENNIALISM AND SOCIAL REFORM IN THE EARLY 19th CENTURY. Griffin, C. P.; Cole, Margaret; Viner, George // Bulletin -- Society for the Study of Labour History;Spring71, Issue 22, p4 

    The article focuses on the millennialism and social reform in the early 19th century. Although there is a considerable body of material on millennial movements in America, and a lesser amount on such movements in Britain, the precise nature of the relationship between millennialism and social...

  • THE R-PROJECTS: EDITORAL ESSAY. Buja, Maureen // Fontes Artis Musicae;Oct-Dec2007, Vol. 54 Issue 4, p383 

    The article discusses various reports published within the issue, including one about the history of the members of the R-Projects, the history and role of music of bibliography and an interview article with H. Robert Cohen on the history of R-Projects member Le Répertoire international de la...

  • TWO SELF-PORTRAITS OF JOSIP Å TOLCER SLAVENSKI. Subotić, Irina // New Sound: International Magazine for Music;2009, Issue 33, p65 

    This paper analyzes the particulars of two Self-Portraits of Josip Slavenski from his Legacy in Belgrade; although done in one and the same technique (coloured pencils), they differ in stylistic traits and meaning. Slavenski's library is presented as the source of information on his extramusical...

  • MUSICAL FOLKLORE AS A VEHICLE? Krajišnik, Ira Prodanov // New Sound: International Magazine for Music;2009, Issue 33, p107 

    The article offers information on the publication of "Musical Folklore as a Vehicle?." It mentions that the publication was a project of the International Musicological Society and Serbian Musicological Society. It contains several research tackling ethnomusicology and musicology. Moreover, the...

  • Taigh a' Phiobaire. The Piper's House and the music of the Mackays of Raasay. Cheape, Hugh; Forrest, Decker J. // Bealoideas: The Journal of the Folklore of Ireland Society;2012, Vol. 80, p163 

    The article discusses various irregularities which lies in representation of various musical forms in Scottish music historiography. It highlights the negligence of works of the Mackays family which resides in Raasay, Scotland in citation of their achievement in musical history and its...

  • Venezuela. Lengwinat, Katrin // Bulletin of the International Council for Traditional Music;Oct2014, Issue 126, p36 

    The article reports on ethnomusicological activities in Venezuela from in 2001-2014. Topics covered include the work of active institutions, including universities, state foundations, and non-governmental organizations in ethnomusicology, the tradition of ethnomusicology research in the country,...

  • LÁSZLÓ DOBSZAY'S RESEARCH OF MEDIAEVAL CHANT SOURCES FROM THE ZAGREB BISHOPRIC -- ITS IMPORTANCE AND RECEPTION IN THE CONTEXT OF THE MUSIC HISTORY OF THIS REGION. BREKO KUSTURA, HANA // Croatian Musicological Review / Arti Musices;2015, Vol. 46 Issue 1, p77 

    One of the most important Hungarian musicologists, chant scholar and conductor, Prof. László Dobszay, PhD (1935-2011), made a significant contribution to our knowledge about Mediaeval chant practice of the Zagreb bishopric in 11th-18th century period. He discovered and labelled its new...

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics