TITLE

Recording Levels and Standards

AUTHOR(S)
Iannantuoni, Mike
PUB. DATE
April 1988
SOURCE
Image Technology;Apr1988, Vol. 70 Issue 4, p120
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
The article focuses on the standards and specifications provided by the sound recording industry in Great Britain. Some of the standards deals on tape machine distortion and signal-to-noise ratio of 72db. In BBC TV Film Departments, it set different standards on 16mm magnetic film while two different standard on ¼" tape. Furthermore, various parameters of the bias drive of record amplifiers was presented.
ACCESSION #
22761343

 

Related Articles

  • Minimal requests on high-fidelity audio recording and reproduction. Jarmić, Tomislav; Dušak, Vesna // Central European Conference on Information & Intelligent Systems;9/23/2009, p271 

    Sound recording quality, whether digital or analogue, presupposes true-to-life recording of the original audio signal. Contemporary audio media do not meet the requirements of high-fidelity recording since they do not insufficiently utilize the bandwidth for D/A conversion and sufficient word...

  • Genetic algorithm for fragile audio watermarking. Zamani, Mazdak; Manaf, Azizah // Telecommunication Systems;Jul2015, Vol. 59 Issue 3, p291 

    A novel genetic-concept-based algorithm is proposed for fragile audio watermarking to reduce the distortion of least significant bits substitution and consequently improve the peak signal-to-noise ratio (PSNR) and increase the payload of results. The result of testing shows that in comparison...

  • WHY ACOUSTIC REFLECTIONS MATTER. Noxon, Arthur // EQ;Jun2007, Vol. 18 Issue 6, p32 

    The article offers some acoustic tricks that can be implemented to boost the signal to noise ratio (SNR). It is argued that some of the room reflections or the so-called acoustic reflections can actually help make real sound. In order to improve the SNR, it is also needed to improve either the...

  • If We Build It, Will They Come? WELLS, FRANK // Pro Sound News;Aug2014, Vol. 36 Issue 8, p8 

    The article offers the author's insights on the initiative of the Digital Entertainment Group, the Consumer Electronics Association, and record labels on pushing the Master Quality (MQ) source descriptors for High Resolution Audio (HRA) standards at consumer levels.

  • Getting More Than You Quantized For. ROBAIR, GINO // Electronic Musician;Apr2013, Vol. 29 Issue 4, p72 

    The article offers information on the quantization, which identifies the dynamic range of digital audio recordings, with particular focus on dither. It states that dither helps mitigates distortion due to quantization errors and extend the dynamic range of bit depth. It says that algorithms are...

  • Edirol R-1. Yates, Darren // Australian PC User;Jun2005, Vol. 17 Issue 6, p131 

    Evaluates the Edirol R-1 portable digital audio. Key features; Audio quality; Signal-to-noise ratio.

  • An Experimental Survey on Non-Negative Matrix Factorization for Single Channel Blind Source Separation. M., Mona Nandakumar; K., Edet Bijoy // International Journal of Computer Applications;Aug2014, Vol. 100, p1 

    In applications such as speech and audio denoising, music transcription, music and audio based forensics, it is desirable to decompose a single-channel recording into its respective sources, commonly referred to as blind source separation (BSS). One of the techniques used in BSS is non-negative...

  • Edirol R-1.  // Australian PC User;Jan2006, Vol. 18 Issue 1, p125 

    The article evaluates the Edirol R-1 digital audio recorder and offers information on its signal-to-noise ratio, harmonic distortion and cost.

  • It's the law. O, Larry // Electronic Musician;Nov99, Vol. 15 Issue 11, p210 

    Comments on the prevailing law in music and sound production.

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics