October 2006
Mix;Oct2006, Vol. 30 Issue 10, p16
The article reports that producer George Walker Petit has just produced a debut CD "BlueGlitterFish" of TV actress Cady McClain in the U.S. According to the author, the CD was also engineered by Petit with colleague Yvan Bing and was tracked and mixed at Right Track/Sound on Sound in New York City. Petit contributed also on the CD by playing a number of instruments such as guitars, bass, and percussion.


Related Articles

  • Guiding Light. Dunlap, Bill // SHOOT;11/10/2000, Vol. 41 Issue 45, p22 

    Focuses on the music production guidelines set by the Association of Music Producers in New York. Appreciation of agency music producers for the guidelines; Benefits of the guidelines for agencies and advertisers; Process of creating the guidelines.

  • The AMP Guidelines.  // SHOOT;11/10/2000, Vol. 41 Issue 45, p24 

    Presents the music production guidelines set by the Association of Music Producers. Aim to help the creation and production process of music; Demonstration of music and sound design ideas prior to the final recording; Musical direction; Creation of music production schedule.

  • Producers to Watch.  // FADER;Dec2013/Jan2014, Issue 89, p32 

    The article offers profiles of music producers including WondaGurl of Toronto, Ontario, DJ Dahi of Los Angeles, California and Suicideyear from Baton Rouge, Louisiana with information on their notable beats, signature sound and wishes for 2014.

  • The Final, Final Mix. Grant, Kevin // Remix;Feb2002, Vol. 4 Issue 2, p42 

    Presents the views of sound engineers and music record company executives on enhancing sound and music recordings. Action that can be taken by home- or project-studio artist to prepare a sound mix for mastering; Attributes of a mastering engineer; Importance of the style of music to the...

  • Technology in the recording studio.  // Hudson Valley Business Journal;5/5/2003, Vol. 14 Issue 9, p28 

    Highlights the meeting of Hudson Valley Technology & Commerce in Hudson Valley, New York. Focus of the discussion on technologies in the recording studio; Demonstration of the power of recording technologies through a special live audience recording; Music producers and engineers consisting the...

  • Production heads tell their tales. Clark, Rick // Billboard;6/18/94, Vol. 106 Issue 25, p72 

    Presents the views of record company executives on the sound production segment of the industry. Includes Arista Records Vice President (VP) Milt Sincoff's thoughts on the professionalism in the areas of manufacturing, production and purchasing; Elektra Records VP Tom Finch's remarks on the...

  • 5 Things to Ask Yourself After Every Session. Mathews, Scott // EQ;Jul2010, Vol. 21 Issue 7, p38 

    The article discusses the author's views concerning the things that musicians should consider after every recording session with a producer in the U.S. It states that evaluating sessions or recording projects will provide artists the opportunity to get better and improve artistic skills in every...

  • Samantha blows the gig.  // Minnesota Spokesman-Recorder;11/14/2013, Vol. 80 Issue 16, p7 

    The article offers information on the story of musician Samantha Smith who produces a music recording along with her producer Keith.

  • DREW ZINGG'S DEBUT ALBUM PROJECT. Gallagher, Matt // Mix;Feb2013, Vol. 37 Issue 2, p20 

    The article notifies the release of a debut solo album of guitarist Drew Zingg produced by producer/engineer/composer George Walker Petit. It discusses how the idea of releasing a solo project was incepted and discusses the selection of musicians and a recording studio. It highlights that an...


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics