MARIO BENEDETTI'S EL OLVIDO ESTÃ LLENO DE MEMORIA: CONSOLIDATING THE FORCES OF MEMORY AND OBLIVION
- Challenges And Choices In Literary Translation. Comenetz, Marian // NETA News;Winter2013, Vol. 14 Issue 53, p3
The article discusses New England Translators Association (NETA) member Louise Popkin's translation of Uruguayan poet Mario Benedetti's poetry as she struggled to remain true to the meaning and artistry of each piece while retaining Benedetti's voice. It notes how Benedetti asked Popkins to...
- PERFORMING THE UNSPEAKABLE: DEFEATING CENSORSHIP IN TWO STORIES BY MARIO BENEDETTI. Tisnado, Carmen; Müller, Beate // Critical Studies;2003, Vol. 22, p169
This paper examines two short stories by Uruguayan writer Mario Benedetti (1920), written in years of extreme repression and dictatorship in Uruguay. In both stories, censorship and oppression are omnipresent. In both, some forms of discourse that appear to be entirely innocent (a love-song...
- LAUDATIO. Lago, Sylvia // Revista de Critica Literaria Latinoamericana;2013, Vol. 39 Issue 77, p9
The article presents a speech by Uruguayan author and literature professor Sylvia Lago delivered at the Universidad de la RepÃºblica del Uruguay in Montevideo, Uruguay in 2004 during the ceremony to confer the degree of doctor honoris causa to Uruguayan author Mario Benedetti. She presents an...
- Only in the Meantime and Office Poems. Rendón, Catherine // World Literature Today;Sep/Oct2007, Vol. 81 Issue 5, p70
The article reviews the book "Only in the Meantime and Office Poems," by Mario Benedetti, translated by Harry Morales.
- CINCO ENCUENTROS A TRAVÃ‰S DE MARIO BENEDETTI. Rovira, José Carlos // Revista de Critica Literaria Latinoamericana;2013, Vol. 39 Issue 77, p181
Memories of personal and literary moments are the backdrop for five crucial points in which Mario Benedetti becomes essential to understand an era: commitment, memory, tenderness, language and Montevideo. These elements are interwoven throughout the literary work of the author, and present key...
- Urban chronicler with a poetic sting. Bach, Caleb // Americas;Jul/Aug98, Vol. 50 Issue 4, p38
Examines the work of acclaimed Uruguayan writer Mario Benedetti. Background information on his life; Reference made on of Benedetti's book `El cumpleanos de Juan Angel.'; Career achievements of Benedetti; Comments from Benedetti.
- EXILIO, "DESEXILIO" Y "DESTERRITORIALIZACIÃ“N" EN LA NARRATIVA DE MARIO BENEDETTI. Conteris, Hiber // Revista de Critica Literaria Latinoamericana;2013, Vol. 39 Issue 77, p81
This article analyzes Mario Benedetti's narrative work during his period of political exile and his subsequent return to Uruguay. Both, the exile and his return to Uruguay, are seen as a whole. The topics studied in this article are political torture, the heroism of those who were tortured, the...
- EL TEATRO DE MARIO BENEDETTI. DE LA PARODIA Y LA CARICATURA A UN RITUAL DE VIOLENCIA Y MUERTE. Mirza, Roger // Revista de Critica Literaria Latinoamericana;2013, Vol. 39 Issue 77, p137
Mario Benedetti wrote four plays, but only two of them were put on stage; Ida y vuelta (Going and Corning Back) (Montevideo, 1958) and especially Pedro y el CapitÃ¡n (Peter and the Captain) (MÃ©xico City, 1979) enjoyed great success in all of America and Europe. The play (with Atahualpa del...
- The pensioner. // new renaissance;Fall2007, Vol. 13 Issue 1, p101
The article presents the poem "The Pensioner," by Mario Benedetti. First Line: now that he is; Last Line: a hook.