TITLE

Narration in the Cinema of Digital Sound

AUTHOR(S)
Kerins, Mark
PUB. DATE
September 2006
SOURCE
Velvet Light Trap: A Critical Journal of Film & Television;Fall2006, Issue 58, p41
SOURCE TYPE
Academic Journal
DOC. TYPE
Article
ABSTRACT
In this article, the author argues that a cinematic aesthetic the Digital Sound Cinema has emerged in which narrative is reoriented by and around the construction of environmentally immersive multichannel soundtracks. This argument does not depend, however, on a dichotomy between single and multitrack sound design. The author explains the technological and experiential differences between mono, stereo, and digital sound designs.
ACCESSION #
22351660

 

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics