Flier, Lee
August 2006
EQ;Aug2006, Vol. 17 Issue 8, p72
The article illustrates a live rock sound recording in which the band's appeal depends on its ability to play with unbridled energy and to interact without the restrictions of click tracks or headphones. This requires sound engineers who are on the same wavelength, who love to let bands be bands in the studio. These engineers will relish the challenge this brings to the recording process.


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