TITLE

Fix It

PUB. DATE
July 2006
SOURCE
Mix;Jul2006, Vol. 30 Issue 7, p72
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
The article discusses the mixing work by front-of-house engineer Snake Newton for the group The Sugababes in the United States. According to Newton, the effects and dynamics onboard his Yamaha desk are excellent, but sometimes he feels the vocals were not sitting correctly. Newton notes that the three girls are on the Liquid transformer pre and 1176 emulation. He adds that group sit in the mix in a much more controlled manner without sounding too squashed.
ACCESSION #
21526038

 

Related Articles

  • Owsley "Bear" Stanley's Long, Strange Trip. Daley, Dan // FRONT of HOUSE;May2011, Vol. 9 Issue 8, p38 

    The article focuses on Owsley "Bear" Stanley who will be remembered as a hub of the psychedelic counterculture of the 1960s. It notes that Stanley was the sound engineer of the sound system and mix live sound for Grateful Dead, Hot Tuna and Starship. It states that Stanley was the Godfather of...

  • 'Let It Be' Is Back —With No Strings. Walsh, Christopher // Billboard;11/22/2003, Vol. 115 Issue 47, p46 

    Focuses on "Let It Be...Naked," a de-mixed and re-mixed version of the "Let It Be" album of the Beatles. Efforts of sound engineers to de-mix and re-mix the album; Noise problems encountered in de-mixing and re-mixing the album; Response of the remaining Beatles members to the album.

  • FixIt.  // Mix;Feb2006, Vol. 30 Issue 2, p68 

    The article reports on the concerns of sound engineers with latency in digital consoles, particularly the insertion of analog equipment, in the U.S. The phase issues caused by the delay are incredibly detrimental to the artist's mix.

  • NEW YORK Metro. Weiss, David // Mix;Nov2008, Vol. 32 Issue 12, p24 

    The article discusses the work done by Grammy-winning sound engineer Mick Guzauski to produce a 5.1 surround version of the album "Thriller" by Michael Jackson at his Barking Doctor Recording studio in Mount Kisco, New York. The project, however, was shelved due to Jackson's personal problems,...

  • REMIXING ROUNDTABLE. Hawkins, Erik // Remix;Aug2002, Vol. 4 Issue 8, p50 

    Considers the views of several remixers on different aspects of sound remixing. Angel Alanis; Kris Bones; Pablo La Rosa.

  • Debate: To Track or not to Track with EQ. Anderson, Jeff // EQ;Nov2006, Vol. 17 Issue 11, p8 

    The article discusses the debate over the application of signal equalization while tracking or mixing sound during music recording. According the author, some sound engineers view the approach as a way of achieving the best tones quickly and to gain a greater sonic perspective. However, some...

  • THE SEVEN DEADLY SINS OF MIXING. Anderton, Craig // EQ;Feb2009, Vol. 20 Issue 2, p42 

    The article offers tips on how to mix sounds. It suggests to select one reverb as a main reverb that defines the characteristics of imaginary room. It recommends to automate mutes when vocalists are not singing. It also suggests to resist the temptation to master the mix before it goes to the...

  • Speaking in Surround. Richardson, Ken // Sound & Vision;Nov2005, Vol. 70 Issue 9, p102 

    This articles presents the author's experience with Jerry Harrison, keyboardist/guitarist for Talking Heads and cites information about Harrison's remastering of the band's entire studio catalog with sound engineers Eric Thorngren and Ted Jensen. The remastered studio catalog appears in...

  • 4 COMMON PRE-MASTERING MISTAKES. Saleman, Buddy // EQ;Jan2010, Vol. 21 Issue 1, p44 

    The article offers steps that must be avoided when mastering tracks. It mentions that never hire a mastering engineer who is bored, overworked, or in love with his or her mastering process because mastering is supposed to improve and energize mixes. It notes that master output should not be...

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics