TITLE

Van Zandts going legit

AUTHOR(S)
Cox, Gordon
PUB. DATE
June 2006
SOURCE
Daily Variety;6/8/2006, Vol. 291 Issue 48, p5
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
The article reports on the team-up of thespian and musician Steven Van Zandt with wife Maureen Van Zandt and producers Nina Keneally and Jamie Lightstone to create the Renegade Theater. The group will be devoted to producing limited Broadway runs of classic American plays. Maureen Van Zandt, artistic director of the Renegade, stated that their ultimate goal is to film the plays in order to preserve and possibly broadcast them in the future.
ACCESSION #
21117639

 

Related Articles

  • Family Tears of Joy: The Sopranos Worth a Look…and The Wait.  // CableFAX Daily;3/2/2006, Vol. 17 Issue 41, p1 

    Reviews the final season of the TV program "The Sopranos," created by David Chase and starring Steve Van Zandt and Maureen Van Zandt.

  • Karla Jennings.  // Dramatist;Mar/Apr2010, Vol. 12 Issue 4, p12 

    A personal narrative is presented which explores the author's experience of dealing with directors for a theatrical collaboration.

  • Powerhouse play for Shanley. Cox, Gordon // Daily Variety;4/12/2010, Vol. 307 Issue 6, p5 

    The article presents theatrical plays scheduled for a production at the Powerhouse Theater in Los Angeles, California from June 25-August 1, 2010 including "On a Clear Day You Can See Forever," directed by Michael Mayer, "Bonfire Night," directed by John Patrick Stanley, and "Pirate," directed...

  • How I became a Broadway producer. Levin, Kathy // Cosmopolitan;Nov96, Vol. 221 Issue 5, p170 

    Recounts how the author became a Broadway producer. Nursing-home project with kids as the first production; Popularity of the Magic Me kids; Set up of similar programs in various cities; Efforts to break into the business; Initial Broadway production.

  • Why directors can't direct. Jory, Jon // American Theatre;Oct96, Vol. 13 Issue 8, p7 

    Discusses the major areas of difficulty in the direction of theater productions. Failure of the director to protect actors; Director's job of building the work so as to make the actors look better and obscure their weaknesses; Need for a director to personalize the script to be truly interested...

  • Artistic Director: Artist or Manager? Castellani, Catherine // Back Stage;12/03/99, Vol. 40 Issue 48, p5 

    Focuses on a debate regarding the issue of whether the artistic director is an artist or a director. Panelists involved in the debate; Problems faced by artistic directors; Remarks from Michael Rosenberg of Drama Department about the managing director's job.

  • EXPERT ADVICE. TUCKER, ERIC // Back Stage (1946-5440);12/18/2014, Vol. 55 Issue 51, p12 

    The article offers advice for theater directors to make their work rewarding.

  • Chatter. Lynch, Jason // People;04/02/2001, Vol. 55 Issue 13, p138 

    Offers celebrity-related news briefs as of April 2, 2001, including the thoughts of Steven Van Zandt on the television program 'The Sopranos.'

  • Intercultural Directing: Revitalizing Force or Spiritual Rape? Sorgenfrei, Carol Fisher // Staging Difference: Cultural Pluralism in American Theatre & Dra;1995, p45 

    Focuses on the use of intercultural techniques by theatrical directors in the U.S., particularly theatrical techniques from Japan. Observation on how Western directors appropriate cultural elements from Asia to create synthetic theater; Ways to read intercultural performance; Methods adopted by...

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics