March 2006
Mix;Mar2006, Vol. 30 Issue 3, p142
The article reports on the unveiling of a public facility for the San Francisco Bay Area bands by FM Recorders in California. The control room features an analog mixing desk, outboard gears, microphones. It includes tielines and headphone cue system and reverbs recording. FM Recorders also plans to develop, produce, and record new acts.


Related Articles

  • IMMERSIVE SOUND IN ALL FORMS. Kenny, Tom // Mix;Sep2014, Vol. 38 Issue 9, p8 

    An introduction is presented in which the editor discusses various reports within the issue on topics including Immersive Sound technologies, mixer Dennis Sands' private Atmos mix facility in Santa Barbara, California, and the Holden Theatre at the Sony Pictures Post Production facility.

  • PreSonus Studio One Professional 2. Long, Russ // ProAudio Review;Jul2012, Vol. 18 Issue 7, p30 

    The article evaluates the Studio One 2 sound mixer from PreSonus.

  • The Mouse House That Roared. HARVEY, STEVE // Pro Sound News;Dec2015, Vol. 37 Issue 12, p20 

    The article reports on musical artist Rich Mouser who turned his entire home into Mouse House recording studio in Altadena, California. Mouser and his wife found a house for sale on a quiet dead-end street in nearby Altadena. He wanted to install his existing mixing console alongside an...

  • Serving the Dialog. Tozzoli, Rich // ProAudio Review;Mar2013, Vol. 19 Issue 3, p18 

    The article offers the author's insights on his musical score of the National Hockey League (NHL) piece "Hockey is Back" for the 2013 season. The author states that the piece had temp music as its original concept in which he opened with an ambient piano and layered with guitar tracks. He...

  • Top Ten Tone Tweaks. AIKIN, JIM // Electronic Musician;Aug2013, Vol. 29 Issue 7, p70 

    The article offers ten tips on customizing software and hardware synthesizer presets. It says that move the wet or dry knob on a reverberation effect over toward dry side to clean up the sound mix. It states that adjusting the filter in the synthesizer can be more effective than mixer equalizer...

  • 4 WAYS TO ANIMATE YOUR MIXES. Molenda, Michael // EQ;Jun2009, Vol. 20 Issue 6, p40 

    The article offers suggestions on how to animate and intensify sound mixes. It proposes that the use of stereo background vocals should be minimized. It suggests that the dimensions of sound must be taken into consideration so that sound reverbation will not be affected. It advises that the...

  • The Studio with No Name. Wells, Frank // Pro Sound News;May2009, Vol. 31 Issue 5, p18 

    The article describes the home-based sound mixing studio of music producer and sound engineer Jeff Balding. He made several acoustic treatments to the room, such as a filler baffle for an open doorway, wood cable conduits, and over insulation on the rear wall. He explained his reason for...

  • Avid Pro Tools 9 and Pro Tools HD 9. Long, Russ // ProAudio Review;Jan2011, Vol. 17 Issue 1, p24 

    The article evaluates the Pro Tools 9 and Pro Tools HD 9 from Avid Technology Inc.

  • EFilm Opens DI Suite at Universal. Wakelin, Simon // American Cinematographer;Jan2011, Vol. 92 Issue 1, p78 

    The article reports on the opening of a digital-intermediate (DI) suite by EFilm at Universal Studios' production facility. It reveals that the suite helps clients access uncompressed 2K 4:4:4 scans, dailies or trailers, and do digital grading while situated next to Universal's sound-mixing...


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics