Keynote Address: The Role of the Writer in Establishing a United Writers Organization
- Baraka, Amiri (1934-). Houston, Helen R. // Freedom Facts & Firsts: 400 Years of the African American Civil ;2009, p17
A profile of African American writer Everett LeRoi Jones also known as Amiri Baraka is presented. Baraka, who was born on October 7, 1934 in Newark, New Jersey, has been aware of the need for political involvement and active participation of the artists in bringing change after his trip to...
- John Rozelle. // Black Renaissance/Renaissance Noire;Spring/Summer2014, Vol. 14 Issue 1, p52
The article offers the insights of visual artist John Rozelle regarding his works which tend to comprise mixed media that is informed by object making practices of West African. Topics discussed include the international travel grant and Artist in Residency which he received from the Department...
- Fierce Fictions, Radical Truths. Reid, Calvin // Publishers Weekly;5/1/2000, Vol. 247 Issue 18, p44
Features Afro-American author Amiri Baraka. Physical description; Personal background; Books that he has read and written.
- In Memoriam: Amiri Baraka. // Journal of Pan African Studies;Feb2014, Vol. 6 Issue 7, p4
The article presents an obituary for African-American writer Amiri Baraka who died in 2014.
- BLACK ARTS MOVEMENT. // Columbia Dictionary of Modern Literary & Cultural Criticism;1995, p30
The article offers information about Black Arts Movement. The movement was exemplified by Amiri Baraka during the founding of the Harlem Black Arts Repertory Theatre in 1965. It was designed to develop and legalize black arts based on its standards and ideals. Critics of the movement expects to...
- Ted Wilson Interviews Amiri Baraka. Wilson, Ted // Black Renaissance/Renaissance Noire;2007, Vol. 7 Issue 3, p8
This article presents an interview with African-American artist Amiri Baraka. He discusses the publication of the book "Tales of the Out and Gone," the revival of the play "Dutchman," and the seminar anthology "Black Fire," edited by Larry Neal. Baraka also comments on the influence of poets...
- Improvising over the Changes: Improvisation as Intellectual and Aesthetic Practice in the Transitional Poems of LeRoi Jones/Amiri Baraka. Muyumba, Walton // College Literature;Winter2007, Vol. 34 Issue 1, p23
In his transitional poems LeRoi Jones/Amiri Baraka theorizes the connections between African American identity and jazz improvisation. These poems were written and published in the 1960s during Jones/Baraka's decade-long shift away from Beat modernism to Black Arts aesthetics. During this...
- A Tribute to Amiri Baraka (aka LeRoi Jones). WALCOTT, RINALDO // Canadian Dimension;Sep/Oct2014, Vol. 48 Issue 5, p43
The author discusses African-American poet and author Amiri Baraka, also known as LeRoi Jones, and expands on his book "Blues People," which explores the possibility that the history of black Americans and their freedom can be traced through the evolution of their music. Topics discussed include...
- The National Black Arts Festival. Whittaker, Kamille D. // Atlanta Tribune;Feb2014, Vol. 27 Issue 10, p36
The article discusses the National Black Arts Festival held in Atlanta, Georgia in 2013, which honored poet Imamu Amiri Baraka.