Pnina Granirer: a dancing line
- Letters. // Art Bulletin;Jun85, Vol. 67 Issue 2, p317
Discusses issues related to art. Identification of the erroneous description of the 'Tiger Hunt' painting as a 'Chasse au l Ã© opard'; Discussion on the imagery of sexuality in the book 'Lady Lilith,' by Virginia Allen.
- Odd Infinitum. Sartorius, Tara Cady // Arts & Activities;Jan2006, Vol. 138 Issue 5, p34
The article focuses on the painting "I See Five and Nine" by James Surls. The artwork reflects several verbal and visual connections. Surls' imagery usually depends on nature with sculptures most often made of wood and metal. The painting was inspired by composite flowers.
- Stephanie Randall Cooper. // Fiberarts;Nov/Dec97, Vol. 24 Issue 3, p17
This article describes the technique of artist Stephanie Randall Cooper. Her imagery, Cooper claims, is predominantly lively and imposing, a rip and tear motion which is not so much out of anger but a decisive intrusion or expression of one's strengths and beliefs. The story of her art always...
- VIEWPOINT. Chodikoff, Ian // Canadian Architect;Dec2007, Vol. 52 Issue 12, p6
The author discusses the methods of creating photorealistic imagery. According to the author, the effectiveness of photorealistic imagery to influence and foment considerable debate increases. He says realistic images can leave little to the imagination and can mislead people into thinking that...
- The Virtues and Dangers of Connecting Art to Life: Can Pragmatism Address Balthus? Magada-Ward, Mary // Journal of Speculative Philosophy;2011, Vol. 25 Issue 1, p22
The article explores the work of Peirce on synechism which gives emphasis on the enjoyment of art and addresses the paintings of Balthus. According to the author, Balthus' work reflects a sexual imagery in which questions of interpretation, aesthetic, and artistic technique plays a historical...
- Why paintings succeed where words fail. Harris, Gareth // Art Newspaper;Sep2009, Vol. 18 Issue 205, p38
An interview with Belgian painter Luc Tuymans is presented. He explains what he means when he stated that his technique emerges from a genuine distrust of imagery. He asserts that the entire practice of painting is all about timing and precision. He cites the impact of his personal history on...
- MINING IN THE FIELDS OF INTEREST. Merrick, Kenneth // Scope: Contemporary Research Topics (Art & Design);Nov2012, Vol. 7, p104
The author discusses the comprehension of visual languages for imagery in art which are constantly in flux. He states that the nature of drawing and painting materials can be described through negotiation of variation in push-pull contingencies. The author notes that potential compositional...
- Past. Present. Future. // Art Business News;Winter2012, preceding p8
An image of the work "Past. Present. Future." by artist Anna Razumovskaya is presented.
- Steven Oshatz: Harvest Moon. Oshatz, Steven // Surface Design Journal;Spring95, Vol. 19 Issue 3, p22
The article offers insights about the artistic technique of Steven Oshatz on his screen printing entitled "Harvest Moon." Oshatz declared that the incredible strength of silk opened his awareness of properties that allowed him to move away from conventional methods. The use of dyes on silk is...