Now Playing

August 2005
Mix;Aug2005, Vol. 29 Issue 9, p102
Provides information related to the audio equipment and acoustic production team of performers, The Mars Volta and Tom Petty in the U.S. Name of the sound company; Sound engineers; Monitors and microphones.


Related Articles

  • On the Road.  // Mix;Aug2005, Vol. 29 Issue 9, p102 

    Reports on the concert tours of heavy metal band Motorhead around the U.S. Celebration of the band's thirty years in the music industry; Assertions from Motorhead's sound engineer regarding the equipment and gear used by the band during their performances; Challenges faced by the crew in setting...

  • load in.  // Mix;Nov2008, Vol. 32 Issue 12, p77 

    The article reports on several developments relevant to sound studios and sound engineering in the U.S. as of November 2008. It includes a description of various audio equipment used in different live concerts, as well as information on sound engineers who mixed music for several live music...

  • It Takes Two Kinds. Tavaglione, Rob // ProAudio Review;Jun2012, Vol. 18 Issue 6, p18 

    The author discusses the diversity among audio engineers and audio engineering styles. He states that some engineers attempt to harness and maintain ideal audio with transparent and high precision throughout the process. He states that some track all the processes to perfect the output. He...

  • Rocking an Echo Chamber. Porter, Stephen // SRO, Staging Rental Operations;Mar/Apr2004, Vol. 3 Issue 2, p38 

    Focuses on a case study on the planning done by Dodd Technologies for the live rock show of singer John Mellencamp at the awards show of Cook Group Inc. in the atrium of the West Baden Springs Hotel in Southern Indiana. Challenges posed by the facility; Video equipment used; Solution to the...

  • Tame That Sonic Space! Bullins, Strother // Mix;Aug2005, Vol. 29 Issue 9, p38 

    Reports on the benefits of lower-cost, higher-quality pro audio technology. Benefits of the advent of cheaper, faster and better-sounding gear on the work of sound engineers; Challenges faced by engineers in creating their own audio environment; Consideration of surface treatments to manage the...

  • HOW DO YOU MIC A VIRTUAL INSTRUMENT? Anderton, Craig // Keyboard;Sep2007, Vol. 33 Issue 9, p58 

    The article presents guidelines for modifying virtual microphones when recording electronic music. Factors to consider in designing a recording studio to maximize microphone effects are presented. Guidelines for imitating the effect of condenser microphones are discussed. Creating a stereo image...

  • CABLING. Tatnall, Todd G. // EQ;Jun2005, Vol. 16 Issue 6, p22 

    The article presents information on cabling in sound recording studios. A simple way to keep track of all your connections is to label the cables. Whether before or after making connections, you can apply a label to the ends of each connector. Self-adhesive label makers are perfect for this, but...

  • Visa ELVIS: The King Gets the Cirque Treatment. Mitchell, Kevin M. // FRONT of HOUSE;May2010, Vol. 8 Issue 8, p22 

    The article discusses the technical aspect of the rock concert "Viva Elvis," which features dancers, live bands, and video as tribute to the music of the king of rock and roll, Elvis Presley. It says that the show was produced by the Cirque du Soleil while Jonathan Deans was chosen as the...

  • ROOM w/a VU. Skowronski, Angelina // EQ;May2009, Vol. 20 Issue 5, p64 

    The article features the Rare Book Room Studio located in Brooklyn, New York. The studio has a refurbished 1979 MCI JH with 1973 3M M79 2" 24-track, 1981 Studer A80 VU 1/2" 2-track tape machines. It also utilizes the Adam S3A with matching subwoofer monitors and AKG C414 TLII and D112...


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics