A Dutch Master and the Good Life
- JUSTICE & MERCY. Heath, Peter // Apollo: The International Magazine for Collectors;Mar2008, Vol. 167 Issue 552, p106
The article reviews the painting "The Dresden Triptych" by Jan van Eyck. The triptych was completed by van Eyck in 1437 and measures barely two feet wide including the original frame. It was said that triptych of this kind were used for private devotions in a bedroom than for a mass in a chapel...
- Who is Jan van Eyck's `Cardinal Nicolo Albergati'? Hunter, John // Art Bulletin;Jun93, Vol. 75 Issue 2, p207
Maintains that Jan van Eyck's Vienna painting does not represent Nicolo Albergati or any other cardinal. Antwerp art collector Peter Steven's identification of Vienna painting as Nicolo Albergati's portrait; Issues regarding costume and insignia.
- Van Eyck's Washington Annunciation: Technical Evidence for Iconographic Development. Gifford, E. Melanie // Art Bulletin;Mar1999, Vol. 81 Issue 1, p108
Focuses on the compositional changes made by Jan van Eyck during the creation of the painting `The Annunciation.' Methods used by van Eyck in achieving the visual effects; Implications of these changes to understand van Eyck's iconographic motivations; Microscopic examination of the surface;...
- Van Eyck's Washington Annunciation: Narrative Time and Metaphoric Tradition. Purtle, Carol J. // Art Bulletin;Mar1999, Vol. 81 Issue 1, p117
Considers the iconographic implications of Jan van Eyck's compositional decisions in his painting `The Annunciation' at the National Gallery of Art, Washington D.C. Decisions open to the artist at specific stages of the painting's production; Affirmation of authenticity; Stages of composition;...
- A New Identification of the Sitter in Jan van Eyck's Tymotheos Portrait. Wood, Wendy // Art Bulletin;Dec78, Vol. 60 Issue 4, p650
Presents an interpretation of the sitter in the portrait painting 'Tymotheos,' by Jan van Eyck. Interpretation on the French inscription in the painting; Analysis of who is depicted in the painting; Association of the composition with funerary and votive sculpture.
- On the Mathematics of the Perspective of the Arnolfini Portrait and Similar Works of Jan van Eyck. Ward, John L.; Carleton, David L. // Art Bulletin;Dec83, Vol. 65 Issue 4, p680
Comments on the article in the March 1982 issue of 'Art Bulletin' about the mathematical perspective analysis of the painting 'Arnolfi Portrait' and other similar works of Jan van Eyck. Use of a perspective with two vanishing areas centered at two foci of an eclipse in some of van Ecyk's...
- Letters. // Art Bulletin;Dec83, Vol. 65 Issue 4, p691
Comments on an article by David L. Carleton in the 1982 issue of 'Art Bulletin' about a mathematical perspective analysis of the painting 'Arnolfini Portrait,' by Jan van Eyck. Vanishing points detected in the painting.
- clip and save art notes. Carrol, Colleen // Arts & Activities;May2007, Vol. 141 Issue 4, p25
The article offers information about Flemish painter Jan van Eyck. In 1456, he was referred to as the prince of painters of the 14th century. He was famous for highly detailed, almost hyper-realistic oil paintings executed on wood panels. Van Eyck was born in the northern area of what is now...
- Hidden Symbolism in Jan van Eyck's Annunciations. Ward, John L. // Art Bulletin;Jun75, Vol. 57 Issue 2, p196
Provides information on the work of Flemish painter, Jan van Eyck. Education background and life of the painter; Discussion on the symbolism incorporated in the painting Annunciation; Religious themes found in the work of the artist.