- Filming under pressure. Fox, David // TVB Europe;Jun99, Vol. 8 Issue 6, p60
Presents information on the efforts of the Greenpeace International to curb illegal practices in the United States. Details on its anti-nuclear testing protest in 1970; Difficult situations faced by camera crews in covering events; Comments from Mim Lowe, news producer of the organization; Risk...
- New At Video Expo. Emmens, Carol A. // School Library Journal;Dec82, Vol. 29 Issue 4, p34
Presents video recording equipment and products showcased at the Video Expo 1982 in New York City. JVC's videocassette recorder;' Solid state cameras; Panasonic's Interactive Video System.
- CINEMAC. Needham, Ewart; Emmett, John // Image Technology;Jan1988, Vol. 70 Issue 1, p15
The article discusses the technical defects on the development of videotape systems in Great Britain. Thames Television broadcasting industry in Great Britain questioned the tapes' technical flaws. Thames had been using the videotape since its formation in 1968, however, they found some moulds...
- Low light camera. // Video Systems;Apr2004, Vol. 30 Issue 4, p40
Introduces the AW-E350 low light broadcast camera designed by Panasonic. Utilization of digital signal processing and color matrix masking for fine color adjustment and wide dynamic range; Price and contact information on the manufacturer.
- SYNCHRONOUS SOUND FOR MOTION PICTURES PART I. U.S.A. Ryder, Loren L. // British Kinematography;May1963, Vol. 42 Issue 5, p164
The article discusses the use of a tape recorder to produce synchronous and professional sound for motion pictures. All recording engineers agree that better quality of sound is available from one-fourth-inch tape than sprocket-driven magnetic film. They also agree that tape synchronization is...
- PART II. GREAT BRITAIN. Bland, W. S. // British Kinematography;May1963, Vol. 42 Issue 5, p170
The article provides information on Perfectone video tape recorder. This recorder operates at seven inches per second and provides two microphone inputs. The synchronizing signal is recorded by it as two tracks in push-pull track. The notable thing with this recorder is that, on transfer, the...
- Transfer of Two-Channel Stereo Audio from Audio Magnetic Film or Tape to Video Tape. // Image Technology;Mar1992, Vol. 74 Issue 2, p47
The article discusses how to handle volume range issues when transferring two-channel stereo audio from 35-mm or 16-mm magnetic film or other audio tape formats to any video recording media. It has been noted that volume range issues are both objective and subjective. In addition, certain...
- Mobile digital cinema first. // TVB Europe;Jul2003, Vol. 12 Issue 7, p3
Introduces the CineRAM, a digital cinematography recorder that acts as a bridge between high definition digital cameras and recorders. Key features; Design of CineRAM that eliminates the need for camera wires.
- New Products & Services. Holben, Jay // American Cinematographer;Oct2004, Vol. 85 Issue 10, p82
Provides information on cinematography products and services. Ikonoskop's A-Cam camera; D Data Inc.'s Digital Multi-Layer Disc (DMD); Eastman Kodak's Vision2 series of Super 8mm film; Century Optics' 1.6x Tele-Converter; 41153PK Mattebox System offered by Chrosziel and 16x9 Inc. for use with...