Droney, Maureen
June 2005
Mix;Jun2005, Vol. 29 Issue 7, p138
The article presents information about writer and producer Victor Taylor and his recording studio in Los Angeles. Taylor has contributed music to the soundtracks to numerous television projects. He has record production in his genes: His father owned a recording studio that hosted musical greats as Marvin Gaye, George Clinton and The Crusaders. Recently, he started co-producing the poetry compilation of the poem "Spreading Love-n-Spoken Word." The article also presents other information about the recording of the poem, its lyrics, music, and others.


Related Articles

  • Putting Music Upfront. GALLO, PHIL // Billboard;5/11/2013, Vol. 125 Issue 18, p17 

    The article discusses the selection of music for television programs, with a focus on the premier of shows in the fall of 2013. Topics include television programs such as "Glee" which showcase musical performances, the connection between television broadcasting and the music industry, and...

  • Brazil '97; Medium hot: TV's tops for exposing new acts. Paiano, Enor; Costa, Luiz // Billboard;11/08/97, Vol. 109 Issue 45, p50 

    Examines promotional outlets used in 1997 by Brazil's music industry. The predominance of television and use of variety and talk shows for gauging a musician's popularity; The expense of breaking a new artist through radio; The example of television's impact on the career of Thalia, an...

  • CREDIT WHERE IT'S DUE. Brandle, Lars // Billboard;6/6/2009, Vol. 121 Issue 22, p13 

    The article reports that Australian music producers are in favor of television synch opportunities that explicitly make mention of their artists during a broadcast, despite the fact that they usually ask for lower master-use license fees. Particular attention is given to the Ten network's...

  • TUNES CHASE TUBE TIME. BARKER, ANDREW // Daily Variety;9/24/2010, Vol. 308 Issue 58, p1 

    The article offers information on the effort of the music supervisors and music label executives to find ways to highlight new or exclusive music tracks for television programs in the U.S.

  • Culture Trends.  // Brandweek;08/09/99, Vol. 40 Issue 31, pC1 

    Presents statistics on the mass media as of August 1999. Top five single albums; Music television around the world.

  • Australian labels seeking higher fees from TV. Eliezer, Christie // Billboard;3/30/96, Vol. 108 Issue 13, p51 

    Reports that Australian record companies are asking the Copyright Tribunal in Sydney, Australia to raise the fees that television stations must pay for background/nonfeatured music. Amount of annual fees paid by rural television stations and metropolitan stations; Total revenues of television...

  • Sci-fi series: a musical odyssey. Burlingame, Jon // Daily Variety;7/29/2002, Vol. 276 Issue 39, pA55 

    Features the soundtrack of several science-fiction television programs. Factors to consider in musical score development; Duration in building a library of sounds; Differences in the musical scores of drama and science-fiction programs.

  • Sound Tracks. Hay, Carla // Billboard;12/21/2002, Vol. 114 Issue 51, p10 

    Provides information on the music recording 'Freedom: The History of Us,' the soundtrack to the television miniseries of the same title. Efforts to promote the album; Songs included in the album; Overview of the miniseries.

  • Designs on sound.  // TVB Europe;Mar2003, Vol. 12 Issue 3, p30 

    Provides insights on the equipment and processes used by composer Howard Davidson to create music for television programs. Davidson's approach to composing for television; His preference for creating his own sound design; Use of Mark of the Unicorn Inc.'s Digital Performer as the main software...


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics