TITLE

FALL, YOU WILL BE CAUGHT

AUTHOR(S)
Jowitt, Deborah
PUB. DATE
January 2005
SOURCE
Contact Quarterly;Winter/Spring2005, Vol. 30 Issue 1, p20
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
Discusses the Conference on Contact Improvisation at the Vermont School of the Arts. Elements of Contact Improvisation; Steve Paxton's definition of Contact Improvisation; Articles about Contact Improvisation, edited and published by Nancy Stark Smith on the "Contact Quarterly" magazine; Lisa Nelson's documentation of Contact Improvisation.
ACCESSION #
15873366

 

Related Articles

  • WRITING MOVING. Christopherson, J.; Hedstrom, C.; Huston, E.; Langland, P.; Lepkoff, D.; Nelson, L.; Padow, J.; Smith, N. Stark; Svane, C.; Woodberry, D.; Woodard, Stephanie // Contact Quarterly;Winter/Spring2005, Vol. 30 Issue 1, p16 

    Features the dance improvisation show "Writing Moving," starring Nancy Stark Smith, Lisa Nelson and J. Christopherson, at the Kitchen in New York City. Description of Contact Improvisation; Movement language based on Aikido and Tai Chi; Training for Contact Improvisation.

  • WHAT ARE WE TEACHING? Warshaw, Randy // Contact Quarterly;Winter/Spring2005, Vol. 30 Issue 1, p35 

    Shares the author's experience with teaching contact improvisation. Contributions of Steve Paxton on the teaching of contact improvisation; Evolution of techniques whereby students can be introduced to the range of physical states encountered in dancing; Factors that made contact improvisation...

  • CITE 2004. Horrigan, Kristin; Dale, Pen; Hettich, Tinu // Contact Quarterly;Winter/Spring2005, Vol. 30 Issue 1, p77 

    Focuses on Contact Improvisation Teachers' Exchange (CITE) at the studios of Earthdance in Plainfield, Massachusetts. Contributions of Martin Keogh and Nancy Stark Smith on the event; Diversity of participants; Frameworks for exchange.

  • Long Form Improvisation, Feedback Loops and Cybernetics.  // Body, Space & Technology;2015, Vol. 14, p1 

    This is an edited and augmented transcript of a critically reflective discussion following performance-based research into the integration of theatre and dance improvisation practices and audible performance ecosystems. We discuss how the live work adheres to Cybernetic principals and how...

  • Instructions for the typist.  // Contact Quarterly;Winter/Spring2005, Vol. 30 Issue 1, p17 

    Presents instructions for the process used in typing the article review of an improvisation dance. Size type and margin; Typing the first word pair on the first line of the text.

  • Explorations within the Small Dance.  // Contact Quarterly;Winter/Spring2009, Vol. 34 Issue 1, p32 

    The article presents the author's definition of the term small dance. He states that his knowledge and understanding concerning the term were enhanced when he participated in Steve Paxton's 36-minute Stand delivered at the Contact Improvisation's (CI) 36th anniversary on June 15, 2008. The...

  • Working (In) the In-Between: Contact Improvisation As An Ethical Practice. Williams, David // Writings on Dance;Winter1996, Issue 15, p22 

    The article focuses on the concept of contact improvisation as a playful and tactical negotiation of inter-subjectivity in dance. It is said that contact improvisation originated from pedestrian practices of American post-modern dance in the 60's, social dance, martial arts and sports. It was...

  • An Ordinary Movement. Lepkoff, Daniel // Contact Quarterly;Winter/Spring2008, Vol. 33 Issue 1, p53 

    The article presents the basic contact improvisation (CI) principles and practices. The ordinary movement of the cup, eye, hands, memory and others involved indicates an interaction with the environment. This shows a dialogue between eyes and cup, eyes and hands, eyes and memory, hand and spine,...

  • Beyond skin boundaries in contact improvisation and poetry. Pallant, Cheryl // Journal of Dance & Somatic Practices;Dec2014, Vol. 6 Issue 2, p139 

    The author, a practitioner of contact improvisation and a poet, discusses how she applied improvisational elements from contact improvisation to writing poetry. Her aim was to reinvigorate her writing after a loss in motivation and vision. The article focuses on a technique of sound replicating...

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics