PRODUCT DIRECTORY 2005 Production Resource Guide
- DIGITAL REVOLUTION MEANS MORE ADVENTURE FILMMAKERS. // Geographical (Geographical Magazine Ltd.);Feb2006, Vol. 78 Issue 2, p98
The article reports on the growing interest in adventure filmmaking, driven by the emergence of quality digital cameras, as of February 2006. According to an industry expert, smaller and more affordable broadcast-quality movie cameras have prompted a rise in the number of amateur adventure...
- HPA Technology Retreat Draws 300. Giardina, Carolyn // SHOOT;2/20/2004, Vol. 45 Issue 7, p1
An estimated 300 industry leaders gathered earlier this month in Palm Springs for the Hollywood Post Alliance (HPA) Annual Technology Retreat, making this year's event the best attended to date. The event provided education on the issues facing the postproduction industry today, including...
- ProduÃ§Ã£o cinematogrÃ¡fica brasileira: o design estratÃ©gico para formulaÃ§Ã£o de projetos competitivos. Leites, Bruno Bueno Pinto; Bentz, Ione // Strategic Design Research Journal;Sep-Dec2012, Vol. 5 Issue 3, p107
The principal aim of this article is analyzing the forms of financing the Cinema in Brazil. These forms are influenced by economical patterns with nature aesthetics-productive and by the popular techno-aesthetical pattern. The meeting of these patterns provokes a tension, made, on one hand, by...
- THE FUTURE OF HDTV IS FILM. Webb, David // Campaign;11/3/2006 Supplement, p26
The article analyzes the impact of high definition televisions on motion pictures. The advent of digital imaging technology does not fade the relevance of the film industry. But with the format of emulsion technology, the high definition television can give more clarity to the motion pictures....
- High-end/low-end. // Video Systems;Jul2003, Vol. 29 Issue 7, p8
Focuses on the aspects of moving picture production in the U.S. Use of digital camcorders and editors in feature film; Effect of video technology on the process filmmaking; Influence of video-trained shooters on the industry.
- QUICK DI. Goldman, Michael // Millimeter;Sep2004, Vol. 32 Issue 9, p13
Discusses the experiences of cinematographer Jim Muro with digital intermediate (DI). Consideration of DI as a financial issue in production of films; Discussion on the application of DI in the movie "Crash;" Benefits of the Nucoda Film Master, a PC-based film finishing system for IO Films.
- Latin America, a 35mm world. DiOrio, Carl // Hollywood Reporter;10/14/2008, Vol. 406 Issue 47, p3
The article reports on the unwillingness of Latin Americans for the digital revolution of motion picture production in the motion picture industry in Latin America in 2008-2009. Despite the observed digitalization of motion pictures, Latin Americans are considered to remain in a 35mm world of...
- The Director's Cut. Graham, John // Image Technology;May2001, Vol. 83 Issue 4, p26
The article emphasizes that film production is facing similar changes to those in television in the 1970s and 1980s. Tape technology was introduced to program makers in television who had previously worked with film on location and video tape or live in studios. New 35mm projection based...
- KODAK WORKFLOW SEMINAR MAY 2005. // Millimeter;Jul2005, Vol. 33 Issue 7, p57
Highlights Kodak Workflow Seminar in May 2005. Convergence of film origination and digital postproduction effects on workflow.