TITLE

Apple GarageBand

AUTHOR(S)
Pallanck, Laura
PUB. DATE
January 2005
SOURCE
Mix;Jan2005, Vol. 29 Issue 1, p176
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
The article details on the working features of computer software GarageBand. Demo-wise, GarageBand is great for getting song ideas down quickly, trying out alternate versions of a song by reordering sections and for simple remixing. It includes a selection of great-sounding loops just the thing to get those creative juices flowing. Although the program is missing functions one would find in a professional digital audio sequencer, GarageBand lets one record and play audio and musical instruments digital interface tracks and move the data around easily.
ACCESSION #
15542705

 

Related Articles

  • AKAI MPC1000. Hawkins, Erik; Eisengrein, Doug // Remix;Aug2004, Vol. 6 Issue 8, p68 

    Evaluates the MPC1000 music production station from Akai. Information on the product's full-feature sampler, comprehensive sequencer and internal effects controls; Details of its polyphony feature; Discussion on the musical instrument digital ports.

  • ABLETON LIVE 4. Eisengrein, Doug // Remix;Jul2004, Vol. 6 Issue 7, p71 

    Introduces the Ableton Live 4 live sequencer software for sound remixing from Ableton. Features of the software; Price of the product.

  • FINAL BOUNCE. Eisengrein, Doug // Remix;Jun2005, Vol. 7 Issue 6, p64 

    Focuses on the process of sound mixing with a digital audio workstation. Advantages of using a digital audio workstation; Significance of the bounce feature of digital audio workstations; Drawbacks of digital mixing.

  • 6 WAYS TO CLEAN UP MIX MUD. Bartlett, Bruce // EQ;Dec2008, Vol. 19 Issue 12, p44 

    The article discusses ways to reduce muddiness and improve the clarity of sound mixes. It explains how to prevent causes of muddy sound including leakage in a multiple-microphone situation, too much reverb, and weak high frequencies. It notes that a clean mix is uncluttered and urges sound...

  • STANDARD MIDI FILES. Aikin, Jim // Keyboard;Mar2008, Vol. 34 Issue 3, p46 

    The article offers the author's insights on the steps to turn MIDI files into real music. The author says that MIDI files are played by General MIDI (GM) synthesizers, wherein each tracks will have header data to set up synth to play the intended sound. He mentions that a person must make 16...

  • M-AUDIO TRIGGER FINGER. Eisengrein, Doug // Remix;Jul2005, Vol. 7 Issue 7, p58 

    Features the Trigger Finger musical instrument digital interface developed by M-Audio. Contents of the product.

  • DATA DISCOVERY. Eisengrein, Doug // Remix;Mar2004, Vol. 6 Issue 3, p66 

    Discusses the importance of Musical Instrument Digital Interface (MIDI) and digital audio for a successful recording. Capabilities of MIDI; Significance of digital audio to music recordings; Similarities and differences of MIDI and digital audio.

  • help station: COVER CD TUTORIAL. Booth, Angela // Australian PC User;Jul2004, Vol. 16 Issue 7, p100 

    Provides steps in using the LP Recorder 4.1 computer program in converting vinyl records and cassette tapes into digital format. Connection of the line output from the turntable or cassette player to the soundcard input; Procedure for checking sound quality; Recording options of the program.

  • STEINBERG WAVELAB 5. Eisengrein, Doug // Remix;Jul2004, Vol. 6 Issue 7, p71 

    Introduces the Steinberg WaveLab 5 audio editor software for sound remixing from Steinberg. Features of the software; Price of the product.

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics