TITLE

LOS SUPER SEVEN REGROUP FOR SUPER THIRD

PUB. DATE
December 2004
SOURCE
Mix;Dec2004, Vol. 28 Issue 13, p114
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
Reports on the production of the album "Heard It on Border Radio," by Los Super Seven. Names of the production staff; Type of music recorded; Music company responsible for the music mixes.
ACCESSION #
15217635

 

Related Articles

  • THE ROAMING HOTEL.  // Remix;Sep2004, Vol. 6 Issue 9, p16 

    Reports on the Remix Hotel event at the SAE Institute of Technology in New York City in June 2004. Technology partners for the event.

  • Tips From the Cutting Room Floor. Beck, Doug; Hoffman, Rob; Rule, Greg // Keyboard;May2002, Vol. 28 Issue 5, p116 

    Provides tips before, during and after musical remix. Preservation of back up files; Modification of remix in alternative versions; Incorporation of vocal performance.

  • Faux Arpeggiation Revisited. Rule, Greg // Keyboard;Jul2002, Vol. 28 Issue 7, p110 

    Provides tips in creating audio dance remix. Importance of choosing the duplicate plug-in from AudioSuite in slicing sounds; Advantages of using the application Stutter; Emphasis on the concept of the music.

  • Tracking The Changes At Pacifique Studios. Walsh, Christopher // Billboard;6/21/2003, Vol. 115 Issue 25, p52 

    Examines the impact of technology on mixing and recording music. Discussion on mixing music; Description of the Solid State Logic XL K series; Shift undergone by multichannel music.

  • Stop Stereo Miking Acoustic Guitars!  // Guitar Player;Nov2011, Vol. 45 Issue 12, p182 

    The article focuses on a recording technique in which two microphones on an acoustic guitar are used.

  • Stay TOGETHER. McJunkin, John // Remix;Sep2005, Vol. 7 Issue 9, p57 

    Focuses on the risks associated with some common mistakes and misconceptions about timing and tempo. Knowledge of the tempo when working on a prerecorded piece of music such as remix; Selection of the correct length of audio and efforts to correctly inform the computer of the length of the...

  • THE BIG FINISH. Peters, Oliver // Digital Video;Jun2012, Vol. 20 Issue 6, p62 

    The article offers the author's insights regarding the last step in commercial music production. The author states that the last step involves sound recording, which should be as good as it possibly can through the application of multiband compression and equalization. He says that he used Apple...

  • Percussive Perfection. Becka, Kevin // Mix;Jan2005, Vol. 29 Issue 1, p26 

    The article marks the first installment of the six-part "Recording the Band" series by technical editor Kevin Becka. It explores recording the band in-depth--from piano to guitars, from tracking to effects--with innovative new tips and advice from the pros on making the most of the recordings....

  • CAUGHT IN THE ACT. Levine, Mike // Electronic Musician;May2000, Vol. 16 Issue 5, p52 

    Discusses the challenges and rewards of recording music from a live show.

Share

Read the Article

Courtesy of

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics