TITLE

"THE UNBROKEN CIRCLE:"

AUTHOR(S)
Jackson, Blair
PUB. DATE
November 2004
SOURCE
Mix;Nov2004, Vol. 28 Issue 12, p151
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
Focuses on "The Unbroken Circle: The Musical Heritage of the Carter Family," an album project by producer John Carter Cash. Homage to the legacy of the Carter family in country music; Showcase for some of the finest contemporary singers and pickers; Background on the Carter family; Artists and songs included in the album; Carters' music and style; Technique, technology and equipment used for recording the multi-artist project.
ACCESSION #
15005915

 

Related Articles

  • Zen Moodism. Murphy, Bill // Remix;Dec2004, Vol. 6 Issue 12, p44 

    Discusses the musical style of Tokyo, Japan-born disc jockey, Krush and his music album "Jaku." Musical characteristics and theme of his album; List of sound equipment used by the artist; Jazz techniques used by Krash which guides his moves as a turntablist and producer; Composing and recording...

  • PRODUCTION CREDITS.  // Billboard;5/3/2003, Vol. 115 Issue 18, p52 

    Presents a chart of recording production credits for the top popular music singles appearing on 'Billboard' magazine's charts of retails sales and radio airplay.

  • TOO MUCH INFORMATION. Molenda, Michael // EQ;Feb2010, Vol. 21 Issue 2, p42 

    The article offers suggestions on how sound engineers and producers can be creative in producing recordings. It notes that the creation of astounding recordings should not be limited to the alteration of musical parts, but should also involve microphone selection and placement, and signal...

  • 8 WAYS TO BRING HOME THE NASHVILLE GUITAR SOUND. Daley, Dan // EQ;Dec2007, Vol. 18 Issue 12, p38 

    The article describes various ways in which top country-music producers and engineers document guitar sounds in Nashville, Tennessee. It includes information on how music engineers refine the process of recording guitar tones, as well as a description of how guitar music is influenced by...

  • Guiding Light. Dunlap, Bill // SHOOT;11/10/2000, Vol. 41 Issue 45, p22 

    Focuses on the music production guidelines set by the Association of Music Producers in New York. Appreciation of agency music producers for the guidelines; Benefits of the guidelines for agencies and advertisers; Process of creating the guidelines.

  • The AMP Guidelines.  // SHOOT;11/10/2000, Vol. 41 Issue 45, p24 

    Presents the music production guidelines set by the Association of Music Producers. Aim to help the creation and production process of music; Demonstration of music and sound design ideas prior to the final recording; Musical direction; Creation of music production schedule.

  • Producers to Watch.  // FADER;Dec2013/Jan2014, Issue 89, p32 

    The article offers profiles of music producers including WondaGurl of Toronto, Ontario, DJ Dahi of Los Angeles, California and Suicideyear from Baton Rouge, Louisiana with information on their notable beats, signature sound and wishes for 2014.

  • THE DO'S (AND DONT'S) OF VENUE RECORDING. Mara, Chris // EQ;Apr2007, Vol. 18 Issue 4, p30 

    The article offers tips on how to manage live sound recording. Venue recordings require proper planning to prevent performance failure. Sound recording executives and producers must secure a complete list of reliable gear needed for live recording applications. Home planning for the music venue...

  • HOW TO RECORD BIG-STUDIO VOCALS AT HOME. Anderton, Craig // EQ;Dec2007, Vol. 18 Issue 12, p50 

    The article provides several tips on how to record studio-quality vocals from the confines of one's home in the U.S. Key issues discussed include the choice of the right microphone equipment and the use of its bass rolloff switch, the use of a pop filter and reduction of the reverb diffusion...

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics