Cuff on the Mountain

Ferguson, Stanley
August 1941
New Republic;8/25/41, Vol. 105 Issue 8, p252
Focuses on the U.S. orchestral conductor Serge Koussevitsky. Theory of Koussevitsky that no orchestra in the world could anticipate to a man the exact moment of the downbeat; Experiences of Koussevitsky with the Boston Symphony; Information on the latest releases of Boston Symphony.


Related Articles

  • NEWS & EVENTS.  // Strad;Oct2004, Vol. 115 Issue 1374, p1017 

    The article reports that musician Gory Karr has donated his double bass to the International Society of Bassists, but it may come with strings attached, in the form of a ghost. He explained that the bass used to be haunted by the ghost ot conductor Serge Koussevitsky, whose widow olga gave Karr...

  • Overview: Historic conductors. Godell, Tom // American Record Guide;May/Jun98, Vol. 61 Issue 3, p65 

    Presents an overview of several symphony conductors. Profile of Thomas Beecham; Personality of Wilhelm Furtwangler; Views of Serge Koussevitzky on the music of Brahms.

  • 'Chorus' to return to B'way. Pincus-Roth, Zachary // Daily Variety;1/13/2005, Vol. 286 Issue 12, p5 

    This article reports that landmark musical "A Chorus Line" will step-kick-kick its way back to Broadway on September 21, 2006 as the atrical lawyer John Breglio makes his producing debut. Breglio, currently the sole producer ofthe revival, has not yet secured the planned $7 million-$8 million...

  • ABC shines in Prism noms.  // Daily Variety;3/8/2012, Vol. 314 Issue 48, p3 

    The article focuses on the high nominations for American Broadcasting Co.'s (ABC) films and television programs in the Entertainment Industries Council Inc.'s 16th Annual Prism Awards.

  • Koussevitzky contest. Martin, Thomas // Strad;Jan96, Vol. 107 Issue 1269, p59 

    Reviews on the only international competition for double bassets held in Russia in honour of Serge Koussevitzky, organized by the Directorate of Russian and International Competitions of the Russian Federation. Competition at the Rachmaninov Hall of the Moscow Conservatory.

  • Less Is More, More Or Less . . . Minato, Brian // Canadian Musician;Jul/Aug2004, Vol. 26 Issue 4, p27 

    A strong bottom end foundation allows the other band members to "let go" and do their thing whether it be singing or playing their instruments. The sound and space of one note can say a lot more and mean a lot more than 20 notes if placed well. Playing to a sequenced part or drum loop is...

  • Distinction. Brown, Divine // Canadian Musician;Sep/Oct2008, Vol. 30 Issue 5, p32 

    The author provides tips on how to become a greater performer. She claims that warming up before a performance and cooling down after, is important to vocal preservation. She advises having any form of exercise at least three times a week and drinking plenty of warm tea the day of a show. She...

  • The Rock Star Vs. The Artist. Odajian, Shavo // Bass Player;Oct2004, Vol. 15 Issue 10, p104 

    Presents the four main areas towards becoming an artist. Importance of having a good mind frame and attitude; Practice consistency; Impact of influence in the artists; Goals.

  • Looking Back at 30 Years of Excellence. Rideout, Ernie // Keyboard;30th Anniversary Issue, Vol. 30 Issue 13, p2 

    This article focuses on the 30 years of excellence of the journal "Keyboard." Since Tom Darter and Dominic Milano started this magazine in 1975, each issue is packed with the kind of info that musicians could really use, not just tweakhead gear specs that become meaningless a few weeks after...


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics