Bentley, Eric
December 1952
New Republic;12/15/52, Vol. 127 Issue 24, p22
Argues, with reference to plays staged by Greek National Theater in New York City, that it is not possible for theater critics to comprehensively critique modern Greek drama when they do not understand the language. Rejection of the theory that one can like music in a language they do not understand; Shortcoming of the assumption that words in drama do not matter much; Aspects of the plays which the article author enjoyed.


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