TITLE

LUCID AUDIO GENX6-96

AUTHOR(S)
La Cerra, Steve
PUB. DATE
October 2004
SOURCE
Mix;Oct2004, Vol. 28 Issue 11, p123
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
Focuses on GENx6-96, the master clock generator/distributor created by Lucid Audio. Features of the master clock; Sonic differences when using the Lucid Audio master clock mix; Contact information.
ACCESSION #
14604219

 

Related Articles

  • NHT Xd Series Speakers. Petersen, George // Mix;Oct2004, Vol. 28 Issue 11, p106 

    Focuses on the partnership of NHT with Powerphysics and Digital Equalization and Crossover (DEQX) to develop XD series of audio equipment. Monitors developed by Powerphysics; Introduction of the new Xd monitor of NHT; Development of NHT's Xda DEQX calibrated amplifier/processor.

  • Lynx AES16 AES/EBU Interface Updates. Proffitt, K. K. // Mix;Oct2004, Vol. 28 Issue 11, p118 

    Features the Lnyx AES16 and AES16-SRC PCI interface cards used for Macintosh OS X drivers. Contribution of the interface cards for the excellent audio quality; Concerns of Macintosh Co. before using the interface cards; System requirements for using the interface cards with different audio...

  • Nautilus NEMO DMC-8 Monitor Controller. Zobler, Eric // Mix;Oct2004, Vol. 28 Issue 11, p120 

    Features Nautilus Extended Monitor Options (NEMO) DMC-8, a high-quality replacement for a console's monitoring section developed by Nautilus Master Technology. Enumeration of the four input pairs of DMC-8 and its functions; Composition of the front panel controls; Other features of the DMC-8.

  • RANDALL RM4 AND RT2/50. Petersen, George // Mix;Oct2004, Vol. 28 Issue 11, p122 

    Features the guitar tube preamplifier/amplifier of Randall Amplifiers. Physical description of the amplifiers; Requirements for connecting the amplifiers; Contact information.

  • Back to the Future. Lehrman, Paul D. // Mix;Oct2004, Vol. 28 Issue 11, p26 

    Focuses on the low technology used in the haunted house-type attraction called Tomb located in a former warehouse in a Fenway neighborhood in Boston. Designer of the recreation area; Sound effects used in different number of alternate shows; Different types of audio equipment and supplies used...

  • Projekt Revolution. Bullins, Strother // Mix;Oct2004, Vol. 28 Issue 11, p92 

    Focuses on the sound equipment and supplies used by sound and monitoring engineers of different rock bands in the U. S. in their Projekt Revolution tours. Comments of the respective sound engineer of the bands in using Prism series in their tuning systems; Comment of the monitoring engineers in...

  • MOTU Digital Performer 4. McJunkin, John // Mix;Oct2004, Vol. 28 Issue 11, p176 

    Focuses on Digital Performer 4 from Motu, that features formidable audio capabilities coupled with a powerful MIDI sequencer. Instructions for setting up the Digital Performer of Project clippings; Guidelines for chopping in order to come up with a nice rhythm synthesizer path; Capacity of the...

  • Tools of Engagement. Lambert, Mel // Mix;May2006, Vol. 30 Issue 5, p58 

    The article examines the audio equipment industry in North America. Audio hardware and software makers confront challenges in assessing where, when and how to bring a product to market. Software development generally is a front-loaded but evolving process. On the other hand, hardware systems...

  • THE AUDIO RENTAL GAME. Artaud, Alex // SRO, Staging Rental Operations;Sep/Oct2003, Vol. 2 Issue 5, p24 

    Interviews Dave Shadoan, front-of-house sound mixer and co-owner of Sound Image, concerning the audio rental industry. Effects of economic conditions on the demand for technological innovations; Importance of maintenance and quality control in the industry; Priorities to be considered by audio...

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics