fields & frames

Ochiva, Dan
August 2004
Millimeter;Aug2004, Vol. 32 Issue 8, p65
Trade Publication
Reports and comments on developments relevant to digital production and post-production in the U.S. in 2004. Digital imaging and cinematography equipment; Company news; Implications on the sector.


Related Articles

  • D-Cinema: A Timeline of Experimental and Mainstream Uses of Digital Technology.  // Velvet Light Trap: A Critical Journal of Film & Television;Spring2004, Issue 53, p55 

    Presents a timeline of experimental and mainstream uses of digital technology in filmmaking in the U.S. from 1972 through 2003. Film-less electronic camera patented by Texas Instruments in 1972; Release of Digital8 format video camera by Sony in April 1999; Launch of iMovie 3, Final Cut Express...

  • TRANSATLANTIC FILMMAKING. Goldman, Michael // Millimeter;Sep2004, Vol. 32 Issue 9, p39 

    Discusses the effect of remote collaboration technology for cinematography in the motion picture industry in the U.S. Explanation on the use of file transfer protocol used by veteran visual effects supervisor, Matt Johnson, on conferencing with filmmakers; Collaboration of Los Angeles-based...

  • Digital Heroes in Contemporary Hollywood: Exertion, Identification, and the Virtual Action Body. Purse, Lisa // Film Criticism;Fall2007, Vol. 32 Issue 1, p5 

    The article talks about the use of digital imaging in Hollywood, in relation to photography and cinema. The author claims that the emergence and presence of digital imaging have caused for issues regarding the ontology of the photographic image to arise. Digital visual technologies produce...

  • Chris Landreth's Ryan.  // Millimeter;Jun2004, Vol. 32 Issue 6, Special Section p14 

    Focuses on the production of the film "Ryan." Role of Chris Landreth in the creation of the film; Visual effects of the film; Visual effects.

  • Super 16 and Digital Intermediates. Phillips, Michael; Glorioso, Lesley // American Cinematographer;Apr2006 Supplement, Vol. 87, p9 

    The article tackles the use of super 16 and digital intermediates on video and film post production in response to a question raised by an independent filmmaker. The author discussed how the combination of High Definition finishing in HDCAM, D5 or HDCAM SR can help independent productions using...

  • 014 GUIDE TO FILM EDUCATION. LEOW, KELLY // MovieMaker;2013, Issue 103, p40 

    The article offers information on programs which guides to film education around the world. It says that the Boston University Center for Digital Imaging Arts in Massachusetts offers degrees in Audio Production and three dimensional (3-D) Animation. It mentions that the Media-Tech Institute in...

  • Color schemes. Egan, Jack // Daily Variety;1/7/2005, Vol. 286 Issue 8, pA1 

    Reports that the process of putting films through a computerized digital intermediate during the post-production phase has become an essential part of the job for the cinematographers. Suggestion that digital intermediate is rapidly replacing the traditional photochemical process which...

  • Looking Downstream. Giardina, Carolyn // SHOOT;9/8/2006, Vol. 47 Issue 15, p17 

    The article addresses issues pertaining to advancements in digital cinematography camera technology and how it has affected postproduction workflows in the advertising industry. One thing everyone seems to agree on is that it is wise to get the post house involved at the very outset. According...

  • Edge of the Real. Romney, Jonathan // Modern Painters;Dec2004/Jan2005, Vol. 17 Issue 4, p38 

    Presents information on the integration of advance digital image-making technology in the film "Sky Captain and the World of Tomorrow," directed by Kerry Conran. Description of the film's narrative; Use of Computer Generated Imagery to create the background of the scenes; Views on the film's...


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics