cool graphics

McInnes, Stephanie
August 2004
Millimeter;Aug2004, Vol. 32 Issue 8, p17
Trade Publication
Features several film clips integrated with digital graphics. Trailer for film festivals; Identity package for a television channel; Production credits.


Related Articles

  • Who Needs Human Actors? Kehr, Dave // New York Times Upfront;3/11/2002, Vol. 134 Issue 11, p24 

    Focuses on the impact of digital characters in the motion pictures industry in the U.S. Identification of films with computer-generated characters; Success of computer graphics imaging in the film making industry; Response of the people to the technology.

  • Discussing the technical future of European cinema. Runge, Jan // Cinema Technology;Dec2013, Vol. 26 Issue 4, p23 

    The article focuses on the future of the European cinema. It says that Union Internationale des Cinémas (UNIC)'s Technology Group formd major cinema operators and exhibitor associations in Europe. It says that the group aims to speak with one voice on issues to promote a structured dialogue...

  • cool graphics.  // Millimeter;May2003, Vol. 31 Issue 5, p17 

    Presents several photographs featuring the use of computer graphics in various motion picture and advertisement in the U.S.

  • Modos de fazer crer no audiovisual de reconstituição histórica. Feitosa, Sara Alves; Miriam de Souza Rossini // Revista FAMECOS - Mídia, Cultura e Tecnologia;2011, Vol. 18 Issue 1, p98 

    The production of images in the contemporaneity, specifically the audiovisual images, is increasingly affected by the possibilities of creation and manipulation in computers. In this article it is discussed the interference in the production of computer images to make one believe in representing...

  • WAR PAINT. ROBERTSON, BARBARA // Computer Graphics World;Mar/Apr2014, Vol. 37 Issue 2, p17 

    The article discusses the computer graphics environment of the film "300: The Rise of an Empire," directed by Nuam Murro. It is stated that the film is an encapsule because it encapsulates the entire time before, during, and after the Spartans' battle, and much of the action takes place on the...

  • A crazy view of film? Swinson, Peter // Image Technology;May2003, Vol. 85 Issue 3, p18 

    The article presents an analysis of the relationship between film imaging and digital video imaging and addresses the question, "Is film digital?" It offers an explanation on the figures presented that shows the typical or basic structure of film and how it looks from minimal exposure to an...

  • SUPPLY SIDE. Ellingson, Annlee // Boxoffice;Jun2005, Vol. 141 Issue 6, p38 

    Reports on developments on digital cinema. Facilitation of transition to the emerging technology by major motion picture studios with Technicolor Digital Cinema Inc.; Establishment of a business model by Digiworld Studios to outfit U.S. screens with digital cinema; Effectiveness of cinema...

  • Dominated By Digital. Suydam, Margot // SHOOT;1/16/2004, Vol. 45 Issue 2, p16 

    The article focuses on the motion picture production companies in the Midwest countries. Like everywhere else in the country, postproduction facilities in the Midwest have slowly but surely emerged from the recent economic downturn. While the year 2003 had its ups and downs for many, early 2004...

  • Pepper goes underground with vfx.  // Televisual;May2008, p71 

    An interview with Chris Mortimer, head of visual effects (vfx) of Pepper is presented. He said the challenges they faced in shooting scenes for the movie "Three and Out," including the creation of composites for behind lens flares and communicating with the company London Underground as to when...


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics