TITLE

BAY SHOOT

AUTHOR(S)
Goldman, Michael
PUB. DATE
May 2004
SOURCE
Millimeter;May2004, Vol. 32 Issue 5, p11
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
Reports on director Nick Lewin's use of a Nissan Murano for a 30-second Nissan commercial. Role of the visual effects team from Method in Santa Monica in the capturing of shots of the stadium from the point of view of kayakers; Number of men inside the Murano; Use of a Hydroflex Aquacam housing over an Arri 35 millimeter camera.
ACCESSION #
13288749

 

Related Articles

  • Nick Lewin. Cisterna, Fred // SHOOT;10/16/98 Supplement Directors, Vol. 39 Issue 42, p54 

    Profiles Nick Lewin, a television advertising director in the United States. Career and personal background of Lewin; Achievements of Lewin in the field of TV advertising; Collaboration of Lewin with other directors; Spots done by Lewin for automobile companies such as Volkswagen, Bavarian...

  • The waiting game. Giardina // SHOOT;01/05/96, Vol. 37 Issue 1, p25 

    Presents an overview of the television commercial production industry in Canada. Increase in the number of Canadian-born directors getting work; Shift in the trade imbalance of employing imported American directors; Hype surrounding United States-based directors; Decline of high-end projects.

  • Let's just cry more, ok? Van Howten, Chris M. // SHOOT;08/27/99, Vol. 40 Issue 34, p4 

    Discusses the challenges confronting the television advertising industry and suggests ways to resolve them. Lowering the markup to staggering percentages; Mystery that productions have declined in numbers; Shortage of television advertising directors to do the jobs that are available.

  • It's the message, not the messenger. Churchill, Jack // SHOOT;3/4/94, Vol. 35 Issue 9, p4 

    Comments on director's cuts of television commercials. Concern about spots in director's reel bearing no resemblance to commercial shot for client; Director's primary allegiance to agency; Need for balance between appreciation of client's objectives and director's creative thinking and abilities.

  • To spec or to serve. Guarin, Evangeline // SHOOT;3/31/95, Vol. 36 Issue 13, Shoot Presents Directors p10 

    Cites the recommendation of agency producers for the production of PSAs over spec work for commercial directors. Use of spec work by new and established directors; Spec work for young directors to show their talent; Origin of spec piece from the agency level; Problems with spec work; Reflection...

  • Good Directors. Goldrich, Robert // SHOOT;10/21/2005, Vol. 46 Issue 33, p4 

    Introduces a series of articles on television advertising directors.

  • Talk to me. Spruell, Jim // SHOOT;02/12/99, Vol. 40 Issue 6, p4 

    Emphasizes on what is required from television advertising directors by members of the creative team. Response needed from directors after the presentation of a commercial concept; Importance of chemistry between directors and the team.

  • Making 'The Mattress'. Gregg, Stacy // AdMedia;Sep2000, Vol. 15 Issue 8, p43 

    Reports on the making of 'The Mattress,' a commercial in New Zealand spoofing the film 'The Matrix.' Techniques employed by television advertising directors Roy Meares and Jeremy Taine; Creation of a view of the Sydney skyline; Rooftop scene.

  • Milky way. Fawcett, Barry // AdMedia;Sep2000, Vol. 15 Issue 8, p46 

    Asserts that a commercial usually goes to go air in New Zealand when its script land on the desk of a television advertising director. Instant Kiwi 'Bull' script; Pre-production storyline; Use of actors; Casting of Boris the bull.

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics