TITLE

On-the-Spot CD Release

AUTHOR(S)
Benzuly, Sarah
PUB. DATE
May 2004
SOURCE
Mix;May2004, Vol. 28 Issue 6, p88
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
Discusses the impact of technological advances on the production of live sound industry. Proliferation of instant CD-ROM burnings; Emergence of royalty issues; Question of job responsibility to sound engineers. INSET: Kevin Browning's Recording Chain.
ACCESSION #
12906918

 

Related Articles

  • Where Has All The Good Sound Gone? Barker, Ted // Canadian Musician;Nov/Dec2000, Vol. 22 Issue 6, p60 

    Presents insights on the creation of quality sounds on live sound recordings. Contribution of MIDI controllers and sound reinforcement systems on the development of sound; Influence of technology on sound quality; Role of audio engineers on the improvement of quality sound.

  • New audio coding guide.  // TVB Europe;Feb2002, Vol. 11 Issue 2, p4 

    Reports the guide for coding of audio signals released by the Technical Society of Audio Engineering Society. Availability of the tutorial project in compact disc-read only memory (CD-ROM); Development of the principles of perceptual audio coding; List information for the purchase of the tutorial.

  • DIGITAL LIVE RECORDING. Watson, Alec // Canadian Musician;Nov/Dec2003, Vol. 25 Issue 6, p31 

    The author shares his experience when he recently came across a string of live sound recording sessions. While often considered the mighty digital warrior of a small domain on Vancouver Island, British Columbia, he found himself little match for the battle-hardened live sound engineers, snarling...

  • Implementing CALM Rules During Audio Editing. Gruszka, Mary; Starzynski, Jim // TV Technology;8/22/2012, p28 

    The article offers information on applying the Commercial Advertisement Loudness Mitigation (CALM) Act during audio editing. It mentions the post production operational procedures for live sound mixing with examples from NBC Universal Inc. It presents views of Jim Starzynski, director and...

  • NOTES FROM THE NET.  // Mix;Oct2007, Vol. 31 Issue 10, p18 

    The article presents news briefs relevant to audio/visual technology as of October 2007. A 128-bit SSL-encryption layer has been added to the web-based collaborative music recording/mixing/project management eSessions with an easy-to-use online sign-up form. SoundExchange has collaborated with...

  • Defying its ethics committee, the House voted to let lawmakers receive unlimited book royalties. Hanson, Cynthia; Bandrapalli, Suman // Christian Science Monitor;12/26/95, Vol. 88 Issue 21, p2 

    Informs about the passing of the liberal book royalty rule by the GOP leaders in the House as reported on December 26, 1995.

  • Congress abolishes Copyright Royalty Tribunal. KM // Broadcasting & Cable;11/29/93, Vol. 123 Issue 48, p18 

    Reports on the US Congress' abolition of the Copyright Royalty Tribunal (CRT). Background information on CRT; Implications of the bill on copyright owners; Remarks from different sectors regarding the decision.

  • Aussie court rules for TV to pay music royalties. Eliezer, Christie // Billboard;06/06/98, Vol. 110 Issue 23, p61 

    Reports that the High Court of Australia has declared that TV stations have to pay royalties to record labels and artists for TV music. What industries the decision especially affects; Who brought the case to court; Details of the decision; Effects of the ruling.

  • Per-unit royalties only one option. Goldstein, Seth // Billboard;8/5/95, Vol. 107 Issue 31, p37 

    Reports on the use of buyout agreements in the music entertainment industry in the United States. Advantage of buyout deals over per-unit royalties; Impact of the emergence of CD-ROM and CD Plus on royalties management.

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics