- Dan â€¢ Walworth. // Art Papers;Sep/Oct89, Vol. 13 Issue 5, p19
An interview with Dan Walworth, video and film producer and curator for Artists Space in New York City, is presented. He talks about the video as the best medium for the political artist to explore the social situation. He examines the advantages and disadvantages of the processed video. He also...
- REEL TIME. Tudor, Andrew // New Humanist;May/Jun2005, Vol. 120 Issue 3, p37
Salutes the unique vision of British film director Ken Loach. Death of British social realism; Difference in the way directors Mike Leigh and Ken Loach document the more desperate travails of the common people; Effort by Loach to make it clear from the very beginning that portraying the...
- Billy Wilder. // Modern Age, 1900-2000: A Biographical Dictionary of Western Cult;2006, p893
An encyclopedia entry for Austrian filmmaker Samuel Billy Wilder is presented. He was born on June 22, 1906 in Sacha, Austria. He came from a poor family and he worked at German UFA film studios in Berlin, Germany, in the 1920s. According to this entry, he is one of the most versatile film...
- Introducing Eisentein's Theory. Antoine-Dunn, Jean // Critical Studies;2003, Vol. 21, p1
Discusses the relationship between art and reality and art and revolution, according to filmmaker Sergei Mikhailovich Eisenstein. Views of Eisenstein on motion pictures; Opinion of the filmmaker on the use of aggressive depth and axial cut in relation to social realism; Information on his...
- Stephen Frears Master of hi-lo culture. Allison, Deborah // Film International (16516826);2007, Vol. 5 Issue 3, p35
The article focuses on director Stephen Frears, who is considered as one of Great Britain's most vibrant and recognizable film-makers and one of the great directors of the past decade. He has been regarded as a decent, competent packager and part of the adaptable and arguably rather bland...
- They've gotta have it. Johnson, P. // Black Enterprise;Jul89, Vol. 19 Issue 12, p36
Discusses the rise of a new breed of black filmmakers. Alternate routes of distribution, financing, marketing and exhibition used to promote films about the black experience; Obstacles faced; Successful independent black producers, actors and directors.
- What's one thing some of Hollywood's top film makers share? Scouting. Butterworth IV, W.E. // Boys' Life;Jul89, Vol. 79 Issue 7, p12
Looks at the scouting backgrounds of some of Hollywood's top film makers. Steven Spielberg; Harrison Ford; Film editor, Michael Kahn.
- Who's in town. Tanner, Louise // Films in Review;Jan/Feb91, Vol. 42 Issue 1/2, p31
Provides information about several film directors concerning their films. Ismael Merchant; Tim Burton; Barbet Schroeder; Gunter Wallroff; Haruki Kadokawa.
- New crop of black filmmakers finds box office success. // Jet;7/29/91, Vol. 80 Issue 15, p56
Looks at the new genre of black films produced, directed, written by and starring blacks. Included are Spike Lee's `Jungle Fever,' John Singleton's `Boyz N The Hood,' and Mario Van Peeble's `New Jack City.' Comments by filmmakers are included.