TITLE

Roger Deakins

PUB. DATE
January 2004
SOURCE
Daily Variety;1/12/2004, Vol. 282 Issue 10, pA7
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
Features Roger Deakins, a cinematographer and contender for an academy award for his work in the film "House of Sand and Fog." Film credits; Key tools; Aesthetic considerations when shooting a film; Challenges experienced in doing cinematography for films; Oscar nominations.
ACCESSION #
11957118

 

Related Articles

  • Shohreh Aghdashloo. Koehler, Robert // Daily Variety;1/6/2004 Oscars Actress, Vol. 282 Issue 3, p18 

    Profiles motion picture actress Shohreh Aghdashloo. Nomination to the Academy Awards as Best Supporting Actress for the film "House of Sand & Fog"; Description of the Iran-born actress' performance in the film; Character role in the film as Nadi.

  • Andrew Lesnie. Weddle, David // Daily Variety;1/12/2004, Vol. 282 Issue 10, pA8 

    Features Andrew Lesnie, a cinematographer and contender for an academy award for his work in the film "The Lord of the Rings: Return of the King." Key equipment used; Aesthetic considerations when filming; Oscar award won for the first series of the trilogy.

  • James Muro.  // Daily Variety;1/12/2004, Vol. 282 Issue 10, pA10 

    Features James Muro, a cinematographer and contender for an academy award for his work in the film "Open Range." Key equipment used; Aesthetic considerations when filming.

  • Rodrigo Prieto. Weddle, David // Daily Variety;1/12/2004, Vol. 282 Issue 10, pA11 

    Features Rodrigo Prieto, a cinematographer and contender for an academy award for his work in the film "21 Grams." Key equipment used; Aesthetic considerations when filming.

  • John Schwartzman.  // Daily Variety;1/12/2004, Vol. 282 Issue 10, pA12 

    Features John Schwartzman, a cinematographer and contender for an academy award for his work in the film "Seabiscuit." Key equipment used; Aesthetic considerations when filming.

  • Tom Stern.  // Daily Variety;1/12/2004, Vol. 282 Issue 10, pA16 

    Features Tom Stern, a cinematographer and contender for an academy award for his work in the film "Mystic River." Key equipment used; Aesthetic considerations when filming.

  • Not just pretty pictures.  // Daily Variety;1/12/2004, Vol. 282 Issue 10, pA1 

    Focuses on the issues surrounding the award for the film with the best cinematography given out by the Academy Awards annually. Description of the technique used by several cinematographers in shooting various scenes in films nominated for the award in 2004; Rodrigo Prieto's film credits as a...

  • Elliot Davis.  // Daily Variety;1/12/2004, Vol. 282 Issue 10, pA7 

    Focuses on Elliot Davis, a cinematographer and contender for an academy award for his work in the film "The Human Stain." Film credits; Key tools; Aesthetic considerations when shooting a film; Challenges experienced in doing cinematography for films.

  • Jean-Yves Escoffier. Goldman, M.R. // Daily Variety;1/12/2004, Vol. 282 Issue 10, pA7 

    Features Jean-Yves Escoffier, a cinematographer and contender for an academy award for his work in the film "Thirteen." Key tools; Aesthetic considerations when filming'; Challenges faced in his profession.

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics