TITLE

'MATRIX' UNLOADED IN F/X RACE

AUTHOR(S)
Graser, Marc
PUB. DATE
December 2003
SOURCE
Daily Variety;12/22/2003, Vol. 281 Issue 55, p2
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
Reports on the selection of the nominees for best visual effects for the 2003 Academy Awards of the Academy of Motion Picture Arts and Sciences in Los Angeles, California. Citations of the finalist films; Basis of the selection process; Response of the industry to the absence of the films "The Matrix Reloaded" and "The Matrix Revolution" in the finalist.
ACCESSION #
11815800

 

Related Articles

  • Recipe for an effects bake-off. Idelson, Karen // Daily Variety;12/3/2004, Vol. 285 Issue 44, pA8 

    Provides information about the selection of best visual effects nominees for the Academy Awards of the Academy of Motion Picture Arts and Sciences in the U.S. Average number of films screened for the category; Basis in examining the films.

  • 'ALMIGHTY' SURPRISE. Cohen, David S. // Daily Variety;1/7/2008, Vol. 298 Issue 1, p8 

    The article reports on the announcement by the Academy of Motion Picture Arts & Sciences' visual effects (vfx) branch of the seven semifinalists for the vfx Oscar award in the U.S. The seven films are "The Bourne Ultimatum," "Evan Almighty," "The Golden Compass," "I Am Legend," "Pirates of the...

  • Academy grows FX category. Kilday, Gregg // Hollywood Reporter Weekend Edition;7/9/2010, Vol. 415 Issue 22, p5 

    The article offers information on the Academy of Motion Picture Arts and Sciences' plan to have five film nominations, instead of three, in its best visual effects category for the Oscars.

  • Rules of the Game. Giardina, Carolyn // Hollywood Reporter;11/17/2008, Vol. 407 Issue 22, p5 

    The article reports on the blurring of differences between animation and visual effects, and its impact on the selection of films in the visual effects category of the Academy Awards. It mentions that the blurring has the potential to alter the Academy's list of seven films which will compete in...

  • Acad tweaks f/x nom regs. Cohen, David S. // Daily Variety;10/4/2007, Vol. 297 Issue 4, p1 

    The article reports that the U.S. Academy of Motion Pictures is revising its visual effects Oscar nomination process because of a growing number of special-effects works competing for only three Oscar nominations. According to visual effects supervisor and Academy member Kevin Rafferty, the...

  • THE SCREENING ROOM.  // Daily Variety;12/22/2003, Vol. 281 Issue 55, p11 

    Presents a list of films scheduled for screening for the 2003 Academy Awards of the Academy of Motion Picture Arts and Sciences in New York City.

  • Oscar screening guide.  // Hollywood Reporter -- International Edition;12/2/2003, Vol. 381 Issue 26, p63 

    The article presents a daily directory of studio films for Academy Award consideration. Screenings are generally limited to voting members of the Academy of Motion Picture Arts and Sciences. Schedules subject to change.

  • Oscars reflect, record history. Moore, Daniel S. // Variety;1/9/95, Vol. 357 Issue 10, p64 

    Focuses on the Academy of Motion Pictures Arts and Sciences in the United States. Historical information; Academy Awards highlights; Hollywood's film culture and unwritten laws; Musicals as a dying breed; Proclivity for violent pictures and tougher subjects; Hollywood's tendency toward...

  • Frankly Scarlett, 10 is damn fine. Kilday, Gregg // Hollywood Reporter;2/2/2010, Vol. 413 Issue 11, p1 

    The article offers information on the impact of the emergence of 1939 pictures to the Oscar's best picture nominations. It mentions that the nominations 1939 pictures happened after the pronouncement of Sid Ganis, president of the Academy of Motion Picture Arts and Sciences, to expand the best...

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics