TITLE

The man who gave flash to the 'Pan'

AUTHOR(S)
Mallory, Michael
PUB. DATE
December 2003
SOURCE
Daily Variety;12/3/2003, Vol. 281 Issue 42, pA1
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
Reports on the visual effects of the film "Peter Pan" in the U.S. Tricks used by Industrial Light & Magic's Scott Farrar for the flying sequences; Techniques created to enhance proper coordination of the background; Device used to re-create sunbeam dust for Tinker Bell.
ACCESSION #
11650901

 

Related Articles

  • How to make a ghost. Kaplan, David A. // Newsweek;2/27/1995, Vol. 125 Issue 9, p64 

    Looks at how Industrial Light & Magic (ILM) near San Francisco uses digital technology to create dazzling cinematic tricks. Their contributions to the films `Star Wars,' `Terminator 2' and `Jurassic Park'; The characters created for a Steven Spielberg project based on `Casper the Friendly...

  • ILM to create 'Timeline' f/x. Graser, Marc // Daily Variety;2/28/2002, Vol. 274 Issue 65, p10 

    Reports on the selection of Industrial Light and Magic (ILM) company to create the film effects for the 'Timeline' movie by Paramount Pictures. Overview of the movie; Determination of the shot count; Works of ILM.

  • ILM. SAGE, ALYSSA // Variety;1/19/2016, Vol. 330 Issue 15, p92 

    The article announces that the motion picture visual effects company, Industrial Light & Magic (ILM), received the 2016 Producers Guild of America's Visionary Vanguard Award.

  • INDUSTRIAL STRENGTH. Cohen, David S. // Daily Variety;7/17/2006, Vol. 292 Issue 9, p6 

    The article reports on the lineup of high-profile motion pictures with visual effects by Industrial Light and Magic (ILM) company in Los Angeles, California. ILM was inspired in improving its craft due to the positive reviews of the visual effects on "Pirates of the Caribbean: Dead Man's Chest."...

  • Behind the scenes of Disclosure. Robertson, Barbara // Computer Graphics World;Feb95, Vol. 18 Issue 2, p35 

    Takes a look at the role computer graphics played in the motion picture `Disclosure.' Industrial Light & Magic artists and animators' creation of a virtual-reality setting; Details of the scene.

  • Designing digital tornados. Fangmeier, Stefen // Computer Graphics World;Aug96, Vol. 19 Issue 8, p58 

    Describes how realistic-looking tornadoes were created digitally by Industrial Light and Magic for the film `Twister.' Use of particle systems to create the F5-class tornado shots featured in the film; Tornado animation using Alias/Wavefront's Dynamation software; Rendering of larger objects...

  • Something has survived. Robertson, Barbara // Computer Graphics World;Jun97, Vol. 20 Issue 6, p34 

    Highlights the development of visual effects for and dinosaurs used in the `Jurassic Park' sequel `The Lost World,' by Industrial Light and Magic (ILM). Background on the motion picture; Animators that worked on the project; Construction of the models; Proprietary tools used; Development of...

  • Coming attractions: Men in Black. Eisenberg, Daniel; Goldstein, Jon // Time International (South Pacific Edition);07/21/97, Issue 29, Time digital p5 

    Discusses the work of Industrial Light & Magic on the motion picture `Men in Black.' How certain effects, like a flying saucer exploding on the former grounds of New York City's 1964 World's Fair, was done.

  • From King Kong to Jurassic Park. Shostak, Seth // Odyssey;Sep94, Vol. 3 Issue 7, p22 

    Explains the making of special effects (or EFX) for science-fiction movies. George Melies, who pioneered photographic EFX in 1896; Mechanical effects using miniatures or puppets; Stop-motion technique; The use of computer animation in the film `Jurassic Park'; Industrial Light and Magic (ILM),...

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics