TITLE

Fix It

PUB. DATE
September 2003
SOURCE
Mix;Sep2003, Vol. 27 Issue 10, p72
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
Presents front-of-house mixer Dave Eisenhauer's insights on mixing audio for live music performances. Musicians for whom Eisenhauer has worked as mixer; His mixing techniques; His strategy for dealing with noise levels created by cheering fans.
ACCESSION #
11511935

 

Related Articles

  • Acoustics, performance, and your concert hall. Barnicle, Stephan P. // Music Educators Journal;Sep94, Vol. 81 Issue 2, p42 

    Offers suggestions for enhancing concert performance through acoustics. Author's experience with high school students in performing `Man of La Mancha'; Placement of the orchestra; Alternate orchestration; Use of synthesizer and a MIDI drum kit.

  • DO WE NEED MORE HALLS?  // Limelight;May2015, p21 

    The article presents questions and answers on concert halls in Australia, measures to access acoustics, and improvement of venues to resolve acoustic issues.

  • Now Playing.  // Mix;Sep2003, Vol. 27 Issue 10, p74 

    Provides information on the sound engineers and equipment used for live performances by musicians Godsmack, Gladys Knight, and Joe Jackson. Sound companies providing the equipment; Key outboard gear; Monitors; Microphones; Monitor engineers; Front-of-house engineers.

  • MBOTMA Calendar of Events.  // Inside Bluegrass;Jun2013, Vol. 39 Issue 6, p27 

    The article offers information related to concerts and events in 2013 present and support by the Minnesota Bluegrass and Old-Time Music Association. Minnesota Homegrown Kickoff Music Festival held at El Rancho Mañana Campground & Riding Stable in Richmond from May 31 to June 2. Cuttin' Grass...

  • Testing music like wine: Sensory evaluation of concert halls. Lokki, Tapio // Physics Today;Jan2014, Vol. 67 Issue 1, p27 

    The author reflects on the similarities of evaluating concert-hall acoustics and music. He discusses how the two elements were characterized by multi-dimensional array of perceptual attributes that involve personal taste. The author also chronicles the pioneers who investigated concert-hall...

  • 2004: the year of the 1m-selling debuts.  // Music Week;12/25/2004, Issue 51, p6 

    The article reports that when the history of music is written, 2004 may well be remembered as a key point in the musical landscape of the Noughties. The past year has seen a shift, not only in what the public considered and bought as mainstream music, but also in the way music was brought to...

  • Is the RFH's new acoustic overrated?  // Prospect;Jul2007, Issue 136, p11 

    The article states that while the improved acoustics at London's Royal Festival Hall sound much better than before, they were not good enough to properly hear a mid-June 2007 performance by pianist Alfred Brendel. The author states that he felt that Brendel's musical personality was constrained...

  • Phish.  // Mix;Sep2003, Vol. 27 Issue 10, p72 

    Reports on front-of-house engineer Paul Languedoc's approach to mixing and managing the sound for the band Phish's 2003 concert tour. Equipment used by Languedoc for the tour; Setup of the equipment; Companies supplying the equipment.

  • On the Road.  // Mix;Sep2003, Vol. 27 Issue 10, p74 

    Interviews front-of-house mixer Paul Mitchell about his work on The Crusaders' concert tour, which features a reunion of the band's co-founders. Challenges he has faced in working with The Crusaders; Multitrack recording of every show in the tour.

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics