TITLE

Ad agencies owe plenty of props to Pytka

AUTHOR(S)
Wakelin, Simon
PUB. DATE
November 2003
SOURCE
Daily Variety;11/13/2003, Vol. 281 Issue 30, pA2
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
Profiles movie director Joe Pytka in the U.S. Experience as a documaker; Commercials directed by Pytka; Use of filmmaking talent to assist public service.
ACCESSION #
11433595

 

Related Articles

  • Pytka Lands Spot First At DGA Honors. Wilcha, Kristin // SHOOT;11/21/2003, Vol. 44 Issue 41, p1 

    Director Joe Pytka of Venice was among the award recipients at the fourth annual Directors Guild of America (DGA) Honors, a gala affair held at New York's Waldorf-Astoria Hotel on November 16, 2003. The event celebrates individuals, institutions and organizations that have made distinguished...

  • Miller ads to get Lite-hearted. Teinowitz, Ira // Advertising Age;5/25/1992, Vol. 63 Issue 21, p52 

    This article reports on the plan of Miller Brewing Co. to put back the fun back in Miller Lite advertising as of May 1992. According to Miller, they will stand by their theme. Leo Burnett USA is the advertising agency tapped by the company. A spot coming from director Joe Pytka features aliens...

  • They've gotta have it. Johnson, P. // Black Enterprise;Jul89, Vol. 19 Issue 12, p36 

    Discusses the rise of a new breed of black filmmakers. Alternate routes of distribution, financing, marketing and exhibition used to promote films about the black experience; Obstacles faced; Successful independent black producers, actors and directors.

  • What's one thing some of Hollywood's top film makers share? Scouting. Butterworth IV, W.E. // Boys' Life;Jul89, Vol. 79 Issue 7, p12 

    Looks at the scouting backgrounds of some of Hollywood's top film makers. Steven Spielberg; Harrison Ford; Film editor, Michael Kahn.

  • Who's in town. Tanner, Louise // Films in Review;Jan/Feb91, Vol. 42 Issue 1/2, p31 

    Provides information about several film directors concerning their films. Ismael Merchant; Tim Burton; Barbet Schroeder; Gunter Wallroff; Haruki Kadokawa.

  • New crop of black filmmakers finds box office success.  // Jet;7/29/91, Vol. 80 Issue 15, p56 

    Looks at the new genre of black films produced, directed, written by and starring blacks. Included are Spike Lee's `Jungle Fever,' John Singleton's `Boyz N The Hood,' and Mario Van Peeble's `New Jack City.' Comments by filmmakers are included.

  • Do marketers control what we see? Topolnicki, D. // Psychology Today;Jun89, Vol. 23 Issue 6, p73 

    Discusses how film directors, producers and editors, once free to use their creative instincts, are often forced by movie studios to consider market-research techniques to test the appeal of their creative endeavors.

  • Toronto's Black Film & Video Network. A.C.M. // American Visions;Aug/Sep92, Vol. 7 Issue 4, p40 

    Observes the Black Film & Video Network, a group of black filmmakers in Toronto that actively promotes the development, production and distribution of the work of its black Canadian membership, especially within the mainstream film and television industry in Canada. The goal of increasing the...

  • Doing for ourselves. Baumann, P. // Commonweal;11/8/91, Vol. 118 Issue 19, p647 

    Observes the way black film directors have recast the American story. Analysis of three such films; `Boyz N the Hood,' written and directed by 23-year-old John Singleton; Spike Lee's `Jungle Fever'; `Straight Out of Brooklyn,' directed by 19-year-old Matty Rich; Lessons learned about American...

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics