The Engineer and The Vocalist

Droney, Maureen
August 2003
Mix;Aug2003, Vol. 27 Issue 9, p28
Presents the sound recording techniques of sound engineers in the U.S. Use of sonic transparency by George Massenburg; Exploration of different sounds for different singers by Jimmy Douglass; Use of baffles to control early room reflections on loud vocals by Gary Paczosa.


Related Articles

  • REACTIONS TO ANALOG FETISHISM IN SOUND-RECORDING CULTURES. KELLEHER STUHL, ANDY // Velvet Light Trap: A Critical Journal of Film & Television;Fall2014, Issue 74, p42 

    Analog fetishism, a highly visible trend in the popular discussion of digital-age sound recording, embodies a technologically deterministic understanding of music and presumes a fundamental split between digital tools and their analog predecessors. This study situates the phenomenon in the...

  • STAND UP FOR LIVE PERFORMANCE. Richling, Greg // Bass Player;Aug2005, Vol. 16 Issue 8, p112 

    Comments on standing up for live performances by musicians in the U.S. Responsibility of musicians; Impact of technology on music recordings; Suggestion concerning a confrontation with a producer or engineer regarding the maintenance of the purity of a song.

  • Experts in Action. Delony, Shannon // Appleseeds;Sep2013, Vol. 16 Issue 1, p22 

    The article offers information on the role played by the audio engineer in music recording and getting the music in final product of compact disk (CD).

  • Positively on Vacation. Tavaglione, Rob // ProAudio Review;Feb2012, Vol. 18 Issue 2, p20 

    The author presents a personal narrative of his experiences as a sound engineer doing a recording session with Kojo Bey, leader of an African drum and dance troupe, at the Stonewall Jackson Youth Development Center in Concord, North Carolina.

  • Where's the vibe, man? Kane, Karen // Canadian Musician;Nov/Dec2000, Vol. 22 Issue 6, p61 

    Focuses on the art of music recording. Complexities of recording a music; Importance of working relationship between artists and engineers; Details on the album recording of percussionist Ubaka Hill.

  • Playing Your Own Tune. Wagner, Cynthia G. // Futurist;May/Jun2008, Vol. 42 Issue 3, p8 

    The article reports on the music projects developed by audio engineers to make personal and interactive music listening. The music projects include the Semantic HIFI project which was developed to combine music players with computers and television in creating hand-held devices which allow...

  • the Finishing Touch. Gooch, Marsh // Onstage;May/Jun2002, Vol. 3 Issue 4, p52 

    Discusses the importance for musicians of mastering their compact disc project. Limitations of the mastering process; Selection of the right mastering engineer; Cost of employing his services. INSET: What Mastering Can (and Can't) Do.

  • Practice, contacts key for sonic pros. Grove, Christopher // Daily Variety;05/31/2001, Vol. 271 Issue 65, p32 

    Focuses on the job of sound engineers in the film and television sound industry. Advantage of having access to state-of-the-art tools and a top staff; Time needed to master the craft; Digital revolution occurring into the business.

  • HOW TO PREVENT DIGITITIS. Bartlett, Bruce // EQ;Feb2008, Vol. 19 Issue 2, p62 

    The article offers step-by-step instructions for curing noise and rough sound in digital sound recordings.


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics