Meza, Ed
September 2003
Daily Variety;9/3/2003, Vol. 280 Issue 43, p10
Trade Publication
Reports that Wim Wenders' production company Reverse Angle has taken over Road Movies Factory from insolvent parents Das Werk AG. Merger of Road Movies with Das Werk; Plan of Wenders to buy back the original Road Movies; Sale of post-production assets.


Related Articles

  • Cuts drive Wenders away. Koehl, Christian // Daily Variety;7/7/2004, Vol. 284 Issue 2, p8 

    Reports on the plans of Wim Wenders to move production company Reverse Angle out of Hamburg, Germany after the city-state's decision to reduce its annual public film subsidies. History of Wenders' establishment of Reverse Angle with his partner Peter Schwartzkoff.

  • Prez rosy on pix future in Europe. Meza, Ed // Variety;12/2/2002, Vol. 389 Issue 3, pB2 

    Focuses on the opportunity for the European Film Academy (EFA) to bridge cultures through education as seen by EFA executive Wim Wenders. Impact of economic crises on the promotion and support for European cinema; Reason of EFA members for joining the organization; Significance of the...

  • Das Werk's prod'n, rights deals up revs. Cole, Deborah // Daily Variety;04/26/2000, Vol. 267 Issue 38, p10 

    Reports on Berlin, Germany-based motion picture post-production company Das Werk's financial performance in the year 1999. Company background.

  • Digital film to the MAX.  // TVB Europe;Feb2000, Vol. 9 Issue 2, p16 

    Features the merging of Das Werk, Europe's digital post production facilities house and the production company, Road Movies. Its expansion plans; Line up of movies; Production average in a year as a result of the merger; Five main sites of Das Werk in Germany; Joint venture with other four...

  • Das Werk begins Euro post-production march. Foreman, Liza // Daily Variety;06/06/2000, Vol. 268 Issue 2, p23 

    Reports on the merger between German post-production company Das Werk and its Spanish counterpart, En Efecto Group. Plan for En Efecto to continue to operate as a separate company; Benefits that Das Werk will gain from the deal; Das Werk's aim to establish a presence in four other European...

  • JOURNEYS THROUGH BERLIN, 1986. Rentschler, Eric // Cinema Scope;Winter2012, Issue 49, p11 

    The article reflects on the New German Cinema and several recent productions from West Berlin, Germany. It states that Berlin's structures are inscribed into the lives of its protagonists, a real-estate agent and an employee in an architect's office. It cites the example of the film "Summer in...

  • Wenders pic nabs coin. Kohl, Christian // Daily Variety;10/15/2002, Vol. 277 Issue 7, p6 

    Reports that Wim Wenders' film 'Don't Come Knockin'' received funding from German fund FFA and France's CNC. Other films which have been backed by the funds.

  • ROTTERDAM. Auty, Martyn // Framework: The Journal of Cinema & Media;Spring81, Issue 14, p54 

    The article reviews several films including two films by Frank Diamond "El Salvador Revolution or Death," and "Portrait of Nelson Mandela," and Wim Wenders' "Lightning Over Water."

  • THE FUTURE OF…Indie moviemakers place their bets on what the future holds.  // MovieMaker;2006 Future of Filmmaking, Vol. 13 Issue 63, p66 

    The article presents the views of several independent writer-director related to the future of technology and innovation in the motion picture industry in the U.S. Mark Romanex comments that the endless iterations of more challenging themes by major studios can lower audience expectations. Doug...


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics