The One-Eared Monster

Lehrman, Paul D.
July 2003
Mix;Jul2003, Vol. 27 Issue 8, p26
Relates experience of producing a documentary film in the U.S. Grant received to hire a director and shoot interviews in different places; Audio for the dialog and narration; Use of the relatively low-fidelity linear audio tracks to lay audio onto existing video in Beta format.


Related Articles

  • SOUND DEVICES 788T AND 302. Ruddick, Dave // Millimeter;Jan/Feb2009, Vol. 37 Issue 1, p34 

    The article reports on the use of 788T multitrack digital audio recorder and 302 compact production field mixer for the shooting the documentary "Extreme Ice" in Greenland. The devices were chosen for their compact design and reliability in extreme weather conditions. According to the author,...

  • Elbow's My Sad Captains.  // Televisual;Jun2014, p14 

    The article discusses the filming of a documentary film campaign to promote the music release "The Take Off and Landing of Everything" by Elbow. It states that the documentary campaign was developed by Mark Thomas who aims to capture the band's spontaneous moments during their recording...

  • More funding needed for Hay River fiddler documentary. DOLPHIN, MYLES // Hub (Hay River, NT);3/27/2013, Vol. 41 Issue 5, p3 

    The article reports that more footage and funding are needed to complete a documentary film about the life and legacy of the late Hay River, Northwest Territories fiddler Kole Crook, produced by Dry Cold Media.

  • NHK eyes Kurosawa docu with BBC, WNET. Osald, Tad // Daily Variety;03/09/2000, Vol. 267 Issue 4, p6 

    Reports that Japan-based public broadcaster NHK plans to produce a documentary film about the life and works of movie director Akira Kurosawa.

  • Flesh for the Author: Filmic Presence in the Documentaries of Eduardo Coutinho. Sayad, Cecilia // Framework: The Journal of Cinema & Media;Spring2010, Vol. 51 Issue 1, p134 

    An essay is presented regarding the role played by the author in the documentary films of Brazilian director Eduardo Coutinho. It states that his documentaries portray the author as the major actor and the nation as merely a present element. It explains how the author becomes the major actor in...

  • Renewal in the Ranks.  // Metro;Autumn2012, Issue 172, p86 

    The article focuses on the proposal for Australian documentary along with the strategy which could help to impact generational change. It states that a generation of documentary and current affairs program makers were nurtured in the on-the-job cadetship with large public entities such as the...

  • Chris Schueler. St. Cyr, Peter // Albuquerque: The Magazine;Oct2012, Vol. 9 Issue 6, p205 

    An interview with American documentary filmmaker Chris Schueler. When asked what it takes to get a project started, he says that sometimes it takes a year before they start shooting. Schueler explains what his documentary "No Exceptions" teaches him about addiction. He talks about his work in...

  • The Burns Effect: Documentary as Celebrity Advertisement. Breitbart, Eric // New England Review (10531297);Winter2007, Vol. 28 Issue 1, p168 

    This article discusses the impact of brother filmmakers Ric and Ken Burns on documentary filmmaking. It describes that the most recognizable feature of a Burns film is a slow camera move on a black-and-white photograph, with beautifully shot interview sound bites with a writer or historian. It...

  • How to Make a Documentary. PAAR, MORGAN // Videomaker;Sep2010, Vol. 25 Issue 3, p40 

    The article focuses on shooting and editing in making a documentary. It provides suggestions on several production issues such as location scouting, sound video, permits and permission, b-roll and the interview process. The article also offers information on post production and the importance of...


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics