HOW PRODUCERS CAN GET THEIR FAIR SHARE
Related Articles
- SoundExchange and Pure Play Webcasters Reach Agreement. // International Musician;Aug2009, Vol. 107 Issue 8, p4
The article reports on the agreement made by music royalties collection group SoundExchange Inc. and "pure play" commercial webcasters that covers royalties for Internet streaming of sound recordings and music. It notes that deal was made to ensure fair sharing of revenue between musicians and...
- DIFFERENT DRUMMERS. McClintock, Pamela; Oppelaar, Justin // Daily Variety;5/15/2002, Vol. 275 Issue 54, p4
Reports the effort of the music recording industry to push for a royalty rate for music streamed on the Internet in the U.S. Rejection of Internet broadcasters of the rate set up by an arbitration panel; Appearance of several executives at a Congressional hearing; Citation of the Digital...
- GOVERNMENT SETS WEBCAST ROYALTIES. // Quill;Jul/Aug2002, Vol. 90 Issue 6, p8
Reports on the reaction of Internet music broadcasters and the U.S. recording industry to the government decision setting rates for Webcasters in 2002. Details of the royalties to be paid by Webcasters; Reasons why the recording industry sought high royalties;
- Make music, make money. Stevens, Suzanne // Oregon Business Magazine;Dec2000, Vol. 23 Issue 12, p54
Argues that Napster and other free digital music trading services are shortchanging independent musicians who depend on royalties for a living. Independent artists' lack of the influence and financial power to fight for their intellectual property rights; Proposal of a subscription-based model...
- DJ LEGAL ADVICE. // Mixmag;Oct2015, Issue 293, p58
The article discusses factors to go-through when signing publishing and/or recording deals including types of publishing income and things that should be in a great contract like royalties and upfront cash.
- Performance Right Group SoundExchange Debuts. Holland, Bill // Billboard;12/09/2000, Vol. 112 Issue 50, p3
Reports that five United States record companies agreed to let SoundExchange, a performance rights organization, pay recording artists for digital performance royalties directly. Collection of royalties for cable and satellite subscription music services and non-interactive Webcasters; The...
- STREAMING PROGRESS. Oppelaar, Justin // Daily Variety;10/9/2002, Vol. 277 Issue 3, p6
Reports that a legislation on a compromise on royalty rates forged between record labels and Webcasters was passed unanimously in the U.S. House of Representatives. Sponsor of the bill; Key provisions of the bill.
- Jupiter Report Says Online Royalty Rates Will Prompt Webcaster Bankruptcies. Garrity, Brian // Billboard;9/21/2002, Vol. 114 Issue 38, p3
Focuses on a report from Jupiter Research that argues that a majority of music Webcasters will be forced out of business by the burden of royalty fees, as of September 2002. Rate established by the U.S. Librarian of Congress in every performance for Internet-only transmissions and simulcast...
- CABLER GOES TO BAT. McClintock, Pamela // Daily Variety;8/21/2001, Vol. 272 Issue 57, p6
Reports that MTVi Group will serve as a witness for Webcasters and broadcasters at a United States Copyright Office proceeding that will determine royalty rate broadcasters and Webcasters must pay to labels and artists for music streamed on the Internet. Conflict between major labels and...
