TITLE

FOGWILL ROLLS HER HELMING DEBUT

AUTHOR(S)
Newbery, Charles
PUB. DATE
August 2003
SOURCE
Daily Variety;8/4/2003, Vol. 280 Issue 21, p8
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
Reports on the debut of actress Vera Fogwill as a director of the motion picture 'Las Mantenidas sin suenos' in Buenos Aires, Argentina.
ACCESSION #
10524457

 

Related Articles

  • KEPT AND DREAMLESS. Young, Deborah // Variety;2/14/2005, Vol. 397 Issue 13, p43 

    Reviews the motion picture "Kept and Dreamless," directed by Vera Fogwill and starring Lucia Snieg.

  • Wind with the Gone. Rooney, David // Variety Movie Reviews;10/12/1998, Issue 188, p1 

    The article reviews the film "Wind With the Gone/El Viento se Llevo lo Que," directed by Alejandro Agresti and starring Vera Fogwill and Angela Molina.

  • Bhumi Pednekar: 'My Wish-List Filmmakers Have Seen the Gravitas in Me!'. VIJAYAKAR, R. M. // India -- West;12/6/2019, Vol. 45 Issue 4, pC4 

    No abstract available.

  • Hollywood film producer Rashaana Shah Honored by New York State Assembly.  // Desi Talk;1/24/2020, Vol. 24 Issue 4, p25 

    No abstract available.

  • Keynote speaker, lauded filmmaker, will focus on the most important role there is.  // Wire Journal International;Feb2020, Vol. 53 Issue 2, p37 

    The article offers information on the Web Accessibility Initiative (WAI) Operations Summit and Wire Expo 2020 will be unlike any who has previously appeared at a WAI event.

  • Showman. Brody, Richard // New Yorker;12/23/2019, Vol. 95 Issue 41, p25 

    Before making "Salesman", their documentary about door-to-door Bible peddlers, the Maysles brothers, Albert and David, directed this 1963 portrait of the wheeler-dealer film distributor and producer Joseph E. Levine, which covers similar ground but from the top down. Loren is often around (one...

  • "Private Lives, Public Spaces". Fateman, Johanna // New Yorker;12/23/2019, Vol. 95 Issue 41, p10 

    This wonderful show of home movies and other overlooked footage in MOMA's collection may be the sleeper hit of the museum's reopening. In "The Return of Guernica", Kate Keller Kobayashi documents the final day of the loan, in 1981, of Picasso's masterpiece to MOMA and its subsequent...

  • Show me the art. Bart, Peter // Variety;2/17/97, Vol. 366 Issue 3, p4 

    Presents an open letter from the author to his colleagues in the movie industry media in the United States regarding their coverage of independent films nominated for the 1997 Oscar Awards. Independent films' achievements as news; Focus on independent filmmakers.

  • Pile up on the indie speedway. Nashawaty, Chris // Entertainment Weekly;07/25/97, Issue 389, p42 

    Focuses on movies produced by independent studios in the summer of 1997. The incredible success of independent movies in 1996; The poor performance of independent movies in 1997; The belief that there are too many independent movies available; How independent movies are marketed; The freshness...

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics