August 2003
Daily Variety;8/7/2003, Vol. 280 Issue 24, p3
Trade Publication
Highlights updates on people within the film industry in the U.S. as of August 2003. Change in the talent agency for actor Chevy Chase; Enlistment of director Peyton Reed with the Creative Artists Agency (CAA) Inc.; Departure of director Marcus Nispel from the CAA.


Related Articles

  • TRACY BRENNAN. Egan, Jack // Daily Variety;11/16/2004, Vol. 285 Issue 33, pA16 

    Profiles Tracy Brennan, agent and co-head of the motion picture talent department at CAA. Ability of Brennan to let top female actresses to sign; Career background; Influence of writer-producer David Newman on Brennan.

  • Tenacious tenpercenters. Bart, Peter // Variety;4/7/2003, Vol. 390 Issue 8, p5 

    Comments on the talent management operations of CAA. Resignation of the founding partners of the agency; Expansion of CAA in New York; Criticism on the work ethic of CAA.

  • CAA proves a tenacious tenpercentery. Bart, Peter // Daily Variety;4/7/2003, Vol. 279 Issue 1, p2 

    Comments on developments related to Los Angeles, California-based Creative Artist Agency (CAA) as of April 7, 2003. Survival of the talent agency; Departure of founders Michael Ovitz, Ron Meyer and Bill Haber; Discipline and work ethic of CAA employees.

  • Six CAA assistants mark move to agent. Brodesser, Claude // Daily Variety;4/15/2002, Vol. 275 Issue 32, p3 

    Reports on the promotion of six assistants to agents at Creative Artists Agency. Names of assistants; Positions assigned; Career highlights.

  • Percenteries find malaise in mailroom. Young, Paul F. // Variety;5/29/95, Vol. 359 Issue 5, p1 

    Reports that Hollywood agents are demanding change from talent agencies. Training programs at United Talent Agency and Creative Artists Agency; Salaries; Promotion issues; Demand for respect from agency power brokers.

  • Return of the ovitzable man. Kim, Albert; Brennan, Judy // Entertainment Weekly;6/2/95, Issue 277, p10 

    Reports that Mike Ovitz, chairman of Creative Artists Agency (CAA), may be leaving the talent agency he built in order to head MCA Inc., Universal's parent company. The impact his departure from CAA might have on the power structure of Hollywood; Possible reasons for the career change; Possible...

  • CAA TO REP MICHAELS IN FILM, TV. Schneider, Michael // Daily Variety;7/23/2001, Vol. 272 Issue 35, p12 

    Reports that executive producer Lorne Michaels has signed on at Creative Artists Agency Inc. for television and film representation.

  • Whitesell goes to Endeavor as CAA fights for clients. Gardner, Chris // Hollywood Reporter -- International Edition;02/27/2001, Vol. 367 Issue 8, p1 

    Reports that former CAA talent agent Patrick Whitesell started his first day on the job as Endeavor partner. Major clients of Endeavor; Whitesell's other clients at CAA; Career background.

  • CAA ups four senior agents. Brodesser, Claude // Daily Variety;02/09/2000, Vol. 266 Issue 49, p1 

    Reports on Creative Artists Agency prexy Richard Lovett's promotion of four senior agent to serve as head of the agency's motion picture talent and literary departments. Patrick Whitesell and Rick Kurzman as co-heads of motion picture talent; Risa Gertner and Rand Holston as co-heads of the...


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics