TITLE

Somewhere/Nowhere: Hipness as an Aesthetic

AUTHOR(S)
Ford, Philip
PUB. DATE
March 2002
SOURCE
Musical Quarterly;Spring2002, Vol. 86 Issue 1, p49
SOURCE TYPE
Academic Journal
DOC. TYPE
Article
ABSTRACT
Discusses the concept of hipness as an aesthetic in music. Absence of intellectual content in the concept of hipness; Phenomenon of hipness as a matter of fashion; Implications on studies of music.
ACCESSION #
10368992

 

Related Articles

  • Justifying music education. Reimer, Bennett // Music Educators Journal;Nov93, Vol. 80 Issue 3, p10 

    Discusses the role of professional philosophy in informing the people on why music is fundamental to the notion of a good life. Translation of philosophy through policy and advocacy; Recognition of the utilitarian benefits of music study; Ensuring the security of music in the school curriculum.

  • EDITORIAL. Jorgensen, Estelle R. // Philosophy of Music Education Review;Fall2010, Vol. 18 Issue 2, p107 

    An introduction to the article is presented which discusses articles published within the issue including an article by Deanne Bogdan on the spiritual qualities of music, another by David Carr on the question of spiritual development and another by Anthony Palmer regarding religion, spirituality...

  • Performing compositions. Edidin, Aron // British Journal of Aesthetics;Oct97, Vol. 37 Issue 4, p323 

    Looks at the aesthetics of musical compositions. Argument concerning musical compositions as `works of musical art'; Where reasons to question the identification of compositions as the works of musical art emerge from; Comparison of creation of musical compositions to the creation of a...

  • ARTISTRY IN CLASSICAL MUSICAL PERFORMANCE. Edidin, Aron // British Journal of Aesthetics;Jul2000, Vol. 40 Issue 3, p317 

    Discusses artistry in the performance of classical music. Versions of compositions that are produced in performing; Repeatable features of the performance of a composition; Differences between the planning and realization components of the process of musical creation; Substages of the planning...

  • Authenticity of musical performance: Personal or historical? O'Dea, Jane W. // British Journal of Aesthetics;Oct94, Vol. 34 Issue 4, p363 

    Questions the basis of authenticity in musical performance. Historical authenticity and personal authenticity; Atmosphere of orthodoxy and restriction surrounding the historical performance movement; Reluctance of mainstream performers to renounce creative imagination in their interpretation of...

  • Music and aesthetics: An early Indian perspective. Katz, Jonathan // Early Music;Aug96, Vol. 24 Issue 3, p467 

    Provides an early Indian perspective on musical aesthetics by studying historical sources. History of ideas and the relation of musical speculation to other fields of intellectual inquiry; Study of the auditory world of earlier composers, performers and listeners in their historical contexts;...

  • MUSICAL AESTHETICS AND MULTICULTURALISM IN LOS ANGELES: AN INTRODUCTION. Loza, Steven // Selected Reports in Ethnomusicology;1994, Vol. 10, p1 

    The article discusses various reports published within the issue, including one by Jacques Maquet on the multicultural interpretation of Los Angeles in California and another by Roger Savage on the philosophical consideration of music and the cultural imagination.

  • A stronger rationale for music education. Phillips, Kenneth H. // Music Educators Journal;Sep93, Vol. 80 Issue 2, p17 

    Suggests a need to rethink the music education profession's philosophical foundations. Philosophy of utilitarian and aesthetic objectives; Annual meeting among music education faculties of Big Ten universities; Music's aesthetic experience; Reasons given by students for the importance of music...

  • Some peculiarities about musical aesthetic qualities. Porter, Roosevelt // Review of Metaphysics;Mar95, Vol. 48 Issue 3, p483 

    Analyzes how people listen to and talk about music. Two ways of attending to musical performances; Factors involved in aesthetically appreciating musical performances; Necessity of hearing the sonic properties of musical performances; Relationship between sonic properties and the aesthetic...

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics