TITLE

SOUL STIRRERS

AUTHOR(S)
Iannone, Pasquale
PUB. DATE
May 2015
SOURCE
Sight & Sound;May2015, Vol. 25 Issue 5, p54
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
The article discusses the American soul musicians of the 1970's who worked on film soundtracks of the blaxploitation films of the time including Isaac Hayes, Curtis Mayfield and Marvin Gaye who composed music for the films, "Shaft", "Super Fly" and "Trouble Man" respectively. It provides details of the music and how it is used with the scenes in the films with information on vocals and instruments used.
ACCESSION #
102279519

 

Related Articles

  • "Can You Dig it?": The Politics of Race, Gender, and Class in Blaxploitation Cinema. Sauers, Ashley // Film Matters;Spring2012, Vol. 3 Issue 1, p14 

    The article focuses on representation of gender and race in blaxploitation films. It states that the films showed pessimistic outlook which was result of contradiction between racial equality and second-class citizenship. It mentions that the film "Shaft" focused on race and class issues which...

  • Soul Legends/Soul Legends/Soul Legends...  // Music Week;8/19/2006, Issue 33, p22 

    The article reviews the second half of music release under "Universal Soul Legends CD series" that includes the albums by Lionel Richie & The Commodores, Marvin Gaye, Curtis Mayfield & The Impressions, Isaac Hayes, and James Brown.

  • Creating Racial Identities Through Film: A Queer and Gendered Analysis of Blaxploitation Films. HARRIS, ANGELIQUE; MUSHTAQ, OMAR // Western Journal of Black Studies;Spring2013, Vol. 37 Issue 1, p28 

    This paper examines how racialized knowledge is reproduced through film. Through an analysis of twenty blaxploitation films, this paper examines how gendered and sexualized discourses are used to shape Black identity. Discussed are the two typologies of queer images found within these films, the...

  • Who Dat Man? Shaft and the Blaxploitation Genre. Briggs, Joe Bob // Cineaste;Spring2003, Vol. 28 Issue 2, p24 

    Comments on the motion picture 'Shaft,' released in the U.S. in 1971, which started the blaxploitation genre. Information on other blaxploitation films; Characteristics of Shaft, the main character of the motion picture; Details on the music theme of the motion picture.

  • Isaac Hayes: The Black Moses of Soul. Graham, S. // Video Librarian;Sep/Oct2004, Vol. 19 Issue 5, p82 

    A review of the DVD "Isaac Hayes: The Black Moses of Soul" is presented.

  • SOUNDTRACK OF THE WEEK SOUL MEN.  // People;11/17/2008, Vol. 70 Issue 20, p45 

    The article reviews the soundtrack to the movie "Soul Men."

  • Soul Patrol. Mitchell, Gail // Billboard;4/7/2007, Vol. 119 Issue 14, p34 

    This article discusses rhythm & blues artist Angie Stone. Particular focus is given to a soul record Stone is recording at the recording studio of the late Marvin Gaye. Several sound recordings from the upcoming record are presented and discussed. Commentary regarding the new record and music...

  • EAT PRAY LOVE. Arnold, Chuck // People;8/30/2010, Vol. 74 Issue 6, p42 

    The article reviews the music release "Eat Pray Love: Original Motion Picture Soundtrack," featuring musicians such as Neil Young, Marvin Gaye and Eddie Vedder.

  • Street ballets in magic cities: cultural imaginings of the modern American metropolis. O'Keeffe, Tadhg // Popular Music History;Aug2009, Vol. 4 Issue 2, p111 

    Written from the perspective of an urban specialist rather than a musicologist, this paper is a series of three inter-linked reflections on attempts in popular and 'semi-popular' music to represent the modern, later twentieth-century, American metropolis. Using a number of urban soundtracks as...

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics