TITLE

Figures of Speech: Pictorial History in the Quinatzin Map of about 1542

AUTHOR(S)
Douglas, Eduardo de J.
PUB. DATE
June 2003
SOURCE
Art Bulletin;Jun2003, Vol. 85 Issue 2, p281
SOURCE TYPE
Academic Journal
DOC. TYPE
Article
ABSTRACT
Analyzes the pictorial history in the 1942 Quinatzin Map. Information on the painting history in colonial tetzcoco; Original elements of the map; Details on the historical reproduction of the map; Description of the panel one of the map.
ACCESSION #
10024721

 

Related Articles

  • Charles Achille d'Hardiviller: From Bourbon Image Consultant to Edinburgh Drawing-Master. Smailes, Helen E. // Journal of the Scottish Society for Art History;2013-2014, Vol. 18, p28 

    The article focuses on Scottish painter and house of Bourbon image consultant Charles Achille d'Hardiviller. It offers a brief personal information about d'Hardiviller, who was born in 1795 in Beauvais, France. d'Hardiviller was a proficient lithographer and had been appointed drawing-master to...

  • The scenario of the map: Discovering documents and performance in East Art Map project by IRWIN. Darian, Veronika // Maska;Jul2015, Vol. 30 Issue 172/174, p84 

    'History is not given. Please help to construct it.' Shortly after the turn of the millennium, this speech act performed the onset of the East Art Map project by the Slovenian artist collective IRWIN. Instead of just documenting the realities of (art) history, the project also set out to...

  • Visions of urban California. Jones, Harvey // California Chronicles;May99, Vol. 1 Issue 5, p10 

    Focuses on urban landscape painting in California. Influence of the 1930 Great Depression on the style of painting; Impact of cars on the picture of urban scene; Depictions of roadway culture; Importance of improvisation in expressive abstract painting.

  • A View of the Past: History, Painting and the Manipulation of Distance. Adams, Matthew // Literature & History;Spring2002, Vol. 11 Issue 1, p20 

    This article explores eighteenth-century historiography's attempt to reconcile classsical historical narrative with the developing discourse of sentiment through the use of a language of painting to manipulate its audience's perspective. In particular, it seeks to reinsert eighteenth- century...

  • Reviews Editor's Note. DELUE, RACHAEL // Art Bulletin;Mar2014, Vol. 96 Issue 1, p120 

    An introduction to the reviews section of the issue is presented in which the reviews editor discusses articles in the section on topics related to art history as a discipline since 1913 and a publication on Dutch painting.

  • PERCEPTION AND PERFECTION: PICTURING THE SPANISH AND MEXICAN COASTAL WEST. Engstrand, Iris H. W. // Western Historical Quarterly;Spring2005, Vol. 36 Issue 1, p5 

    European and American artists and illustrators of the late-eighteenth and early-nineteenth centuries painted or sketched the Pacific coastal region from Mexico to Alaska. They recorded contemporary scenes and native inhabitants and reproduced pictorially the fauna and flora discovered during...

  • A Preference for Landscape Art.  // Calliope;Dec2002, Vol. 13 Issue 4, p42 

    Discusses the themes that have influenced artistic works from ancient China. Influence of the Song Dynasty on the artistic works of ancient China; Shift from figure to landscape painting during the Northern Song rule; Interest of the last Northern Song emperor Huizong in arts.

  • From Quanzhou, China to Oxford, UK: An account of the Selden Map of China and its conservation. Minte, Robert; Stiglitz, Marinita; Barnard, Mark // Studies in Conservation;Sep2014 Supplement, Vol. 59, pS115 

    The article examines "The Selden Map of China," which was rediscovered in 2008 at the Bodleian Library at the University of Oxford in Oxford, England. Particular focus is given to the conservation and restoration of the map at locations including the Department of Conservation and Scientific...

  • Mysterious Ladies. Butler, Nancy // Home Accents Today;Feb2000, Vol. 15 Issue 2, p60 

    Introduces wall decors featuring women as subjects. Artwork from artist Julie Arnoff for the Raschella Collection; Lithograph painted by Lourenco Didier and hand highlighted by Decorative Arts.

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics